Tag Archives | photography

Understanding the Digital Infrastructure of Photo-sharing in China: Notes on Tuchong as an Example

By Haidy Geismar on October 11, 2019 in Digital World, Notes from the Field

Yunchang Yang, PhD Candidate, UCL Anthropology

A photo of my working space, showing my laptop, notebook, IC card for working with images

On 3rd July 2019, I caught up with UCL Anthropology’s ASSA (Anthropology of Smartphones and Smart Aging) team at a local pub behind Euston Station. Most of the researchers had just returned from fieldwork and started data-sorting and writing. They shared some great stories from the field on how smartphones are playing different socio-cultural roles across various cultures and societies. When I introduced my work of amateur photography on the Chinese Internet to them and mentioned that many of my informants also practice photography on IOS and Android smartphones, they immediately thought of people taking photos with smartphones and sharing them on social media platforms.…

Second RAI Photo Salon: On Photographic Affordances and the Archive

By Haidy Geismar on April 26, 2018 in Announcements and Listings, Conferences and other events, From the editors, Objects and visual analyses

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First RAI Photo Salon

By Haidy Geismar on January 30, 2017 in Art, Literature and Poetry, Conference and Event Reports, Objects and visual analyses

Haidy Geismar, UCL Anthropology and Chair of the R.A.I Photo Committee

On December 8, 2016, the Photography Committee of the Royal Anthropological Institute convened its first Photo Salon. A meeting of minds for those interested in the intersections of anthropology and photography, a group of photographers and researchers (and photographer-researchers, and researcher-photographers) convened, with wine, to show images, and talk. Taking a Pecha Kucha format, each participant was asked to bring one image and speak for just three minutes. Below is a smattering, a smorgasbord, of some of the images that were presented, short statements by the researcher/photographers can be accessed by entering slide show mode.

We hope to hold the salon as a yearly event and also look forward to publishing some of these images in expanded essay forms in our online journal, Anthropology and Photography.…

First RAI Photography Salon

By Haidy Geismar on October 17, 2016 in Announcements and Listings, Objects and visual analyses

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Call for Papers and Visual Submissions: Photography and (con)text/Photography in Academic Research 8-9 September 2016

By Haidy Geismar on May 24, 2016 in Announcements and Listings, Conferences and other events

Via the Royal Anthropological Institute

‘photography + (con) text’ is pleased to announce a call for papers and visual submissions for a conference on ‘Photography in Academic Research’ to be hosted by UCL Museum and Heritage Studies, Institute of Archaeology, in collaboration with RAI (Royal Anthropological Institute) and Birkbeck, Department of Politics.

‘photography + (con) text’ was set up with the aim of promoting the collaboration and exchange between social researchers and practitioners who use photography in their research and practice. This conference comes together to provide a space of exchange, stimulating dialogue between social researchers and practitioners who engage with photography creatively and critically. This conference will serve as a platform for photography; encouraging its uses, analyses and practices in social research, expanding the possibilities of photographic practice beyond its current observational and illustrative uses within academia.…

Photography: Between Anthropology and History

By Haidy Geismar on May 6, 2016 in Announcements and Listings, Conferences and other events

Photography: Between Anthropology and History

Photographic History Research Centre, De Montfort University, Leicester, UK

20-21 June 2016

Conference hashtag #PHRC16

PHRC16 Provisional programme

Keynote speakers:

Professor Steve Edwards (Open University, UK)

Dr Wayne Modest (National Museum for World Cultures, Leiden, The Netherlands)

On the occasion of Professor Elizabeth Edwards’ retirement, the 2016 PHRC Annual International Conference will address themes from her complex and wide ranging scholarship on the cultural work of current and historical social photographic practices. Thus, Photography: Between Anthropology and History aims to showcase scholarship driven by engagements with research methodologies that informed the material and ethnographic turns in the study of photographic history, and opened up a variety of innovative critical spaces for the re/consideration of photography and its history.…

The Anti-Camera

By Haidy Geismar on January 21, 2016 in Art, Literature and Poetry, From the editors, Notes from the Field, Objects and visual analyses

Christopher Pinney, UCL Anthropology

I recently came across M.N. Srinivas’ observation that his enthusiastic engagement with photography, during his fieldwork in Mysore in the late 1940s, earned him the nickname “chamara man”. He notes that in Kannada chamara denotes whisks made of the long hair from a yak’s tails used by servants to keep flies away from Rajas and by priests to preserve the purity of icons.

In the Madhya Pradesh village where I have worked intermittently since 1982 you will hear echoes of the metaphor that informs the South Indian description of Srinivas as “chamara man”. For instance, Jagdish Sharma, the pujari of the Krishna temple once joked that my video camera embodied “yantra, mantra, [and] tantra”, yantra being the design (“made in Japan”), mantra being the information it stored, and tantra being the magic of technology (its “mashinari”).…

New Open Access Series: Anthropology and Photography and open access initiatives from the Global Social Media Impact Study

By Haidy Geismar on December 14, 2015 in Announcements and Listings, Digital World, From the editors, Good Links, Objects and visual analyses, Topics for Discussion

Haidy Geismar, UCL

The movement towards open access has continued to gain momentum in the social sciences, and in anthropology, with important new journals such as Hau; and new movements to develop alternative publishing collectives afoot. I have just stepped down as editor of the Journal of Material Culture where we are moving a little slower. We have committed to ensuring that there is at least one open access article per issue, and Sage has a very generous Green archiving policy which allows the accepted version of an article to be made available immediately. However, Sage owns both the title and the back issues of the journal which makes a transition to fully open access more of a decision to form a completely new title.…

CALL FOR SUBMISSIONS FOR THE 2015 JOHN COLLIER JR AWARD

By Haidy Geismar on February 10, 2015 in Announcements and Listings

The John Collier Jr. Award for Still Photography is awarded periodically to an author or photographer whose publication, exhibit, website, or other multimedia production exemplifies the use of still photographs (both historical and contemporary) for research and communication of anthropological knowledge. The submission must have a strong visual research perspective along with being good documentary photography and be within five years of the original publication date.

The project must be nominated by a current SVA member and include the consent of the person nominated. A letter of nomination from the SVA member and the supporting material (including name, book title or exhibit, website or multimedia production, publisher, author’s mailing address, phone and email) should accompany three copies of the creative work and be sent to the Committee Chairperson, which must be received by the deadline below.…

Call for Papers: Photography in Print

By Haidy Geismar on October 15, 2014 in Announcements and Listings, Conferences and other events

Via Prof. Elizabeth Edwards, De Montfort University
22-23 JUNE 2015
Photographic History Research Centre De Montfort University, Leicester, UK

The 2015 PHRC Annual International Conference will address the complex and wide range question of ‘photography in print.’ The conference aims to explore the functions, affects and dynamics of photographs on the printed page. Many of the engagements with photographs, both influential and banal, are through print, whether in newspapers, books, magazines or advertising. We would like to consider what are the practices of production and consumption? What are the affects of design and materiality? How does the photograph in print present a new dynamic of photography’s own temporal and spatial qualities? In addition, photography can be said to be ‘made’ through the printed page and ‘print communities’.

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