Tag Archives | #visualization

Data Waves – finding meaning through music

Miranda Marcus, UCL Digital Anthropology

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How do we display data in a way that is meaningful? This is the question that has been posed by Dr Robin Carhart-Harris from the Division of Brain Sciences at Imperial College London, the lead researcher on the recent clinical trials into the effects of psilocybin/psychedelics on the brain. Between 2012 and 2016, Dr Carhart-Harris’ team have conducted different studies using psilocybin (the hallucinogenic compound found in magic mushrooms) and LSD aimed at understanding the impact of potent hallucinogenic drugs on the human brain. The results have provided first evidence of the underlying changes in brain function that are associated with the well-documented drug effects and have laid the foundation for future studies to evaluate potential medical treatments for conditions such as depression, end-of-life anxiety and addiction.…

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Technology and knowing at the British Museum

Haidy Geismar, UCL

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I have been thinking a lot about the power of digital imaging and the kinds of subjectivities that are built into the construction of three dimensional images as particular kinds of visualizations of museum collections. The British Museum is currently host to the exhibition, Ancient Lives New Discoveries,  an exhibition of eight mummies from Egypt and the Sudan ranging from 3500 BC to 700AD. The exhibition presents these eight mummies as individuals and showcases a collaboration with digital imaging and technology partners. Instead of actually unwrapping the mummies, CT and other scanning technology was used to look inside both the sarcophagi and the textile wrappings of the bodies, to uncover the bones and flesh within and to create new three dimensional visualizations.…

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Weaving Communities

Luciana Martins, Director, Centre for Iberian and Latin American Visual Studies,Birkbeck College, London

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The completion in September of a four-year AHRC-funded research project into Andean textiles, Weaving Communities, creates a unique and innovative resource for archaeologists, anthropologists, museum curators, contemporary weavers and the fashion industry. Until now, researchers have had to rely on textile samples in museums to develop their studies, requiring expensive travel to museums spread across the world. This research involves very detailed analysis of weaving techniques and structures which are often difficult to visualise due to their complexity and fragility. Drawing on innovative methodologies, the multidisciplinary and international project based at Birkbeck, University of London, combined work in museum collections and fieldwork, digital documentation and information visualization, and an ontological modelling of the data.…

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