Tag Archives | race

Living On Screen: Sondra Perry and Ian Cheng at the Serpentine Galleries

Wade Wallerstein

Like many other London institutions seeking to shore up against an ever-rising digital tide, the Serpentine Galleries have announced a new annual “Digital Seasons” initiative that will recognize the works of artists working across digital media. Inaugurating this are acclaimed American artists Sondra Perry, whose work occupies the intersection between racial identity and techno-political power structures, and Ian Cheng, who creates experiments in live simulation.

Wade Wallerstein

Sondra Perry, Installation view, Typhoon coming on, Serpentine Sackler Gallery, London (6 March – 20 May 2018) © 2018 Mike Din.

Entitled “Typhoon Coming On,” Sondra Perry’s extensive installation spans the breadth of the Sackler Gallery. Walking into the space, the viewer is immediately confronted by a massive blue wall. In many of her video installations 1, Perry wryly employs this hue to evoke the “blue screen of death”— that ever-dreaded Windows error screen that tells the user that their computer is basically f$%#!&—in order to conflate catastrophic system failure with systematic violence against Black bodies.

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CFP: Remapping the Black Atlantic: Diaspora: (Re)Writings of Race and Space

diaspora 2013 conference flyer

Conference Location: DePaul University
Conference Date: April 12-14, 2013
Conference Abstracts Deadline: October 20, 2012

It has been two decades since the publication of Paul Gilroy’s seminal book The Black Atlantic: Modernity and Double Consciousness (1993) which marked a pivotal shift in our understanding of the experience of transnational Black modernity. More than simply understanding Black experiences from around the Atlantic basin as being marginal to or derived from the culture of modernity, Gilroy argued that for over a century and a half, Black intellectuals have travelled and worked in a transnational framework that precludes anything but a superficial association with their country of origin. Expanding on DuBois’ crucial notion of “double consciousness,” Gilroy argued for a modernity broad enough in, scope not simply including the marginal positions of slaves, but also positing the “ungenteel” aspects of slavery and terror as fundamentally crucial to understanding modernity itself. …

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