Tag Archives | Museums
Since its inception, Material World has treated museums and archives not only as repositories of material culture, but as material culture–that is, material products as well as producers of culture and social memory. As institutions, they are sites of collection and exhibition, acts that have their own material and materializing dimensions.
Here are some of our favorite posts about museums, exhibitions, archives, and memorials:
Graeme Were reviews the Musée du Quai Branly a year after it opened.
Anna Weinrich examines two permanent museum exhibitions in Australia featuring Aboriginal culture and collections by a foundational anthropologist, testing out the new museology against the politics of Aboriginal voice.
Diana Young discusses her curatorial efforts to enliven museum collections in dialogue with Aboriginal artists.…
Follow the link to view the full program: Museums_Collecting_Agency_Program
24th-25th March 2014
Museum of Archaeology and Anthropology
University of Cambridge
Booking for our major March conference is now open.
To book go to:
For more details email Ali Clark ac912 (at) cam.ac.uk
March 24th, from 5.30pm, a wine reception and dinner at Corpus Christi College.
March 25th, 9.30am-6pm, one day conference in the McCrum Lecture Theatre, followed at 6.30pm by the opening of an exhibition on Tapa cloth in the Museum of Archaeology and Anthropology.
All fees include the wine reception, dinner, conference, conference catering and exhibition reception.
The most recent issue of the open-source journal Museum Anthropology Review is focussed on digital media and the return of cultural knowledge and patrimony from museums to source communities, with an emphasis on current collaborative projects (including some by your friendly neighborhood Material World editors and contributors). Check it out!
Museum Anthropology Review Vol 7, No 1-2 (2013): After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge.
Organized by Stedelijk Museum, Amsterdam; ASCA/ACGS University of
Amsterdam, Amsterdam; Moderna Museet, Stockholm; Folkwang Museum,
Essen;Tropen Museum, Amsterdam
Location: Stedelijk Museum, Amsterdam
Dates: 13-15 March 2014
Deadline for papers: September 30, 2013
Admittance fee: €100,-
Key-note speakers / panel participants
James Clifford, Sarat Maharaj, Annie Coombes
Kader Attia, Wendelien van Oldenborgh, Daniel Birnbaum and Tobia
For the latest information on key-note speakers and panel participants
please keep an eye on our website: www.stedelijk.nl/en
Against the backdrop of globalization today, museums for modern and
contemporary art in the West are inclined to pay serious attention to
the acquisition and presentation of art from all over the world, beyond
the still prevalent dominance of European and North American art. Given,
on the one hand, the extreme concentration of internationally operating
art institutions in Western Europe and the United States, and the often
radically different self-understanding of non-Western art institutions
on the other, the institutional claims to the global need to be
reviewed, contextualized and contested.…
This summer saw the conclusion of ‘Disturbing Pasts: Memories, Controversies and Creativity’, an international research project led by Leon Wainwright (Department of Art History, The Open University, UK) which began in December 2011. (For an overview of the project, visit: www.open.ac.uk/Arts/disturbing-pasts/ )
The main focus of Disturbing Pasts was a major conference that took place over three days at the Museum of Ethnology, Vienna (recently renamed Weltmuseum Vienna) on 20-22 November 2012. The majority of speakers were from outside academia, the event was free to attend and widely publicised, while ample time was allowed for discussion and interaction with the audience and for networking among participants. It consisted of panels of highly-illustrated presentations on five distinct yet complementary themes. Each panel combined speakers from the three selected groupings of stakeholders (artists, curators and academics) and saw a productive exchange between them.…
Ruth Phillips (2011, Montreal: McGill-Queens’s University Press)
Reviewed by Aaron Glass (Bard Graduate Center)
“Canada’s collaborative models of museum practice have arisen as organically from its history as the canoe or the snowmobile.”
The first sentence of Ruth Phillips’ long-awaited volume of essays on museums and indigenous people encapsulates a number of her analytical perspectives: it delimits the general institutional field of her study and suggests that particular collaborative practices are characteristic of their national context and their slowly evolving forms. But by invoking iconic modes of both indigenous and settler transportation, Phillips also implies that the museum itself is a form of technology—an engineered machine for achieving specific goals. She even materializes her own contributions to the field by invoking the polysemous term “pieces” to describe the essays contained herein.…
The ICOM’s Costume Committee is looking for contributions to the special project “Clothes Tell Stories”, which will be launched at the meeting in Rio de Janeiro 2013. You can see more about the exciting program under “News – next annual meeting” on the Committee website www.costume-committee.
This project, called an on-line Costume Workbook, is a web-based resource for museums, students and the general public about how to use costume to tell stories: costume is extremely evocative and always has an immediate appeal in museums. Clothes so easily illustrate many kinds of stories because, when correctly used, they bring an extremely personal aspect to our history. Costume Committee members are contributing their expertise in this project to illustrate many aspects of working with historical costume which will be useful for others: terminology, exhibition techniques, successful labels, contemporary collecting, aspects of proper storage and handling, exhibition walk-throughs and much more.…
A review by Barry Joseph of the latest use of digital media in museums which includes discussions of a Pew Research report, “Arts Organizations and Digital Technologies”, the 2013 Mooshme Survey, blog posts on skunkworks projects in museums, Ze Frank and His Online Community and the New Media Consortium Horizon Report: 2012 Museum Edition.