Tag Archives | materiality

Materiality in Japan: Making, Breaking and Conserving Works of Art and Architecture

April 11, 2014

Institute of Fine Arts, New York University

Organized by Anton Schweizer, 2012-2014 IFA/Andrew W. Mellon Postdoctoral Fellow
RSVP is required. Please find instructions below.

Japan is widely regarded as an exemplar in terms of the preservation of material integrity, the perpetuation of historical production techniques and the responsible preservation of works of architecture and artifacts in museum contexts. The Japanese certification system for Cultural Property – which also includes the category of Living National Treasures for specialist craftsmen who embody manufacturing techniques as Intangible Cultural Property – has earned far-reaching acclaim. It is frequently overlooked, however, that there is actually a wide range of divergent approaches towards originality and authenticity even in contemporary Japan. While some of these inconsistencies find their counterparts in the West, others are related to pre-modern cultural practices, e.g.…

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Media, Materiality, Infrastructure Workshop

Friday, March 7, 2014

Department of Media, Culture, and Communication
New York University Steinhardt
239 Greene Street, Floor 8
New York, NY 10003

This one-day workshop in NYU’s Department of Media, Culture, and Communication will consider emergent approaches to media, materiality, and infrastructure. It is inspired by the recent expansion in research on the materiality of media and communication, undertaken in diverse scholarly lineages ranging from material culture, to urban studies, to German media-theory inspired media archaeology. The workshop will explore questions such as: how are new forms of material assemblage affecting mediation? What new forms of agency, sociality, and connectivity are at play? What kinds of materialist approaches are necessary to come to grips with the shifts in media infrastructure?…

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A New Government Breaks With The Past in The Papua New Guinea Parliament’s “Haus Tambaran

Ryan Schram, University of Sydney

The 2013 session of the Parliament of Papua New Guinea (PNG) ended with drama from an unexpected place. After months of stories from PNG of mobs and armed gangs torturing women and men they accused of sorcery, and a campaign of symbolic mourning by women across the country against violence, most of December was given over to a media scandal about a decision by the Speaker of Parliament, Theo Zurenuoc, to remove carvings and statues he considered demonic from the parliament building.

The lintel and facade of the National Parliament Building, October 2013 (Credit: So Much World, So Little Time http://somuchworldsolittletime.wordpress.com/2013/11/02/arts-of-png-parliament-house/)

The lintel and facade of the National Parliament Building, October 2013 (Credit: So Much World, So Little Time somuchworldsolittletime.wordpress.com/2013/11/02/arts-of-png-parliament-house/)

On December 6, a normally quiet time in PNG before Christmas, the Papua New Guinea Post-Courier reported that the Speaker of Parliament, Theo Zurenuoc (Finschhafen, Morobe Provnice) planned to remove a lintel of 19 ornately carved faces from iconic facade of the national Parliament House.…

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Workshop: Materials and Materiality in Native North American Art History

A four-day workshop for graduate students and junior professionals

Sponsored by the Otsego Institute for Native American Art History, in cooperation with the Fenimore Art Museum, Cooperstown, New York

May 18-23, 2014

The 2014 Otsego Institute for Native North American Art History will focus on two interrelated issues of fundamental importance to advanced students in this field: the connoisseurship of materials and the theorization of materiality. Through workshops and close hands-on examination of objects in the Thaw Collection of American Indian Art, as well as lectures, readings, and group discussions, we will develop skills in identifying the materials, styles, and techniques of preparation used by Native North American artists in the production of both historic and current art. At the same time, we will explore Indigenous and Western intellectual engagements with material phenomena: the nature and culture of materiality, how it embodies the spiritual, and how different materialities – human, animal, environmental— act on each other in artistic contexts.…

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CFP: Music Flows, IASPM-US Annual Conference

Water Flows 33_29_9_web

March 13-16, 2014 

University of North Carolina, Chapel Hill

Submission Deadline: Friday, 15 November, 2013

Music flows. Evocative metaphorically while directing our attention to the global circulation of songs, the theme for the 2014 IASPM-US Annual Conference takes its inspiration from the UNC campus-wide Water initiative. Water in its many forms is a ubiquitous subject of pop songs. Whether as metaphor or literal reference, water imagery as a theme in popular music has been used to celebrate identity, express emotions, address environmental issues, convey pleasure, pay homage to spiritual beings, and shape communities of resistance. Here we take up notions of fluidity and flow to address not only what many deem our most important natural resource, but to consider the ways in which water’s qualities may yield productive insights into the present and future of popular music.…

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Linguistic and Material Intimacies of Mobile Phones – Report on a Wenner-Gren Funded Workshop

by Joshua A. Bell, Joel Kuipers, Jacqueline Hazen, Amanda Kemble, and Briel Kobak

In June 2013, our collaborative George Washington University/Smithsonian Institution team–Joshua A. Bell (NMNH Anthropology), Joel Kuipers (GWU Anthropology), Briel Kobak, Amanda Kemble, and Jacqueline Hazen–hosted a Wenner-Gren funded workshop, Linguistic and Material Intimacies of Mobile Phones, at the Smithsonian Institution’s National Museum of Natural History. The workshop grew out of our anthropological project “Fixing Connections: The Art & Science of Repair,” which is funded by support a grant from the Smithsonian’s Consortium for World Cultures and Understanding the American Experience (www.si.edu/consortia). Since May 2012 we have been conducting ethnographic research in cell phone repair shops across the Washington, DC area to investigate the cultural intimacies associated with cell phones as well as their materiality.…

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EOI: Postdoctoral Position at the Centre for Critical and Cultural Studies (CCCS)

The Centre for Critical and Cultural Studies (CCCS) at the University of Queensland is seeking expressions of interest for applications for 3 year UQ Postdoctoral Research Fellowships for 2014-2016. The UQ postdoctoral scheme seeks to attract talented early career researchers with well-developed research programs and strong track records. The fellowships support full time research, although it is possible to organise some teaching experience if desired.

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CFP: Immaterial Materialities

Interstices 14

“Immaterial materialities”

interstices.ac.nz/call-for-papers-4/

Please send your submission to Sandra Karina Löschke (sandra.loschke@uts.edu.au) by 3 March 2013.

Materiality has recently claimed centre stage in architectural discourse and practice, yet its critical meaning is ever receding. Tropes like material honesty, digital materiality, material responsiveness and dematerialisation mark out an interdisciplinary field where scientific fact and artistic experimentation interact, and where what in fact constitutes materiality and immateriality is constantly re-imagined.

Interstices14 invites contributions that address the thematic strands: Immateriality; Atmosphere+Experience; Interactivity; Material Politics; Material Technology+Aesthetics; Material Referents.

Immateriality: As a reaction to developments in science, materiality came under scrutiny with the emergence of nineteenth century German aesthetics (Vischer, Schmarsow) and the early avant-garde projects (Lissitzky, van Doesburg). Initiating an epistemic shift in art and architecture, these works pointed point to the connection between the concrete material properties of objects and their interaction with the inhabitant through psycho-physiological effects.

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CFP: International Free Software Workshop 2013 (Porto Alegre, Brazil)

Deadline for Proposals: 20 February 2013

Website: softwarelivre.org/wsl

From the pioneer software sharing communities created around UNIX to the community of Emacs hackers and beyond, Free and Open Source Software (FOSS) development has been growing exponentially, following the popularization and widespread usage of personal computers and the Internet. Not only have FOSS communities expanded globally, but also its body of literature, becoming relevant for computer scientists and engineers, as well as for researchers in the humanities and social sciences. In the past decade, FOSS research was consolidated around questions such as individual motivation, collaborative practices, issues of scale, governance, and coordination of development efforts, as well as problems of political economy, involving the study of economic models, and forms of political mobilization around Free Software.…

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