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Tag Archives | materiality

Connecting Materialities / Material Connectivities

International Symposium at the Center for Advanced Studies (CAS), LMU Munich, 9–11 February 2017

Convened by

PHILIPP SCHORCH AND MARTIN SAXER

Call for Papers Deadline: 31 October 2016

This symposium aims at collectively thinking through connectivity and materiality. Our starting point is simple: things that move and thereby connect or, the other way round, connections made through things are central to anthropology’s concerns. From the Kula Ring to the journeys of museum objects, from the travels of empire-founding Buddha statues to the logics and logistics of shipping containers, connectivity and materiality are interwoven in various but particular ways. Somewhat akin to Heisenberg’s uncertainty principle, we take connectivity and materiality not as defined properties of some-thing but as two interrelated modes in which an entity is, or rather is becoming, in a world.…

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Book Review: My Life with Things: The Consumer Diaries by Elizabeth Chin

Haidy Geismar, UCL Anthropology

My Life With Things: The Consumer Diaries by Elizabeth Chin, 2016. Duke University Press.

My Life with Things is an engaging, quirky, auto-ethnography detailing key moments of Elizabeth Chin’s life, focusing especially on her passionate relationship with commodities and processes of consumption (from shopping in thrift stores and on eBay through to her obsessions with home decoration). Narratives and diaries written over several years present Chin’s anxieties, desires, and needs as they are emerge in relation to shopping for clothes, for her home, and for her daughter. These are interspersed with a tracking of the personal and familial relationships of Karl Marx. The central argument, that the personal is political, that materiality matters, and that political economy is a sensorium of lived experience as well as a systemic process of the book builds upon Peter Stallybrass’ beautiful essay, Marx’s Coat (1998).…

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Broken Stories

Adam Drazin, UCL Anthropology

How, when and why do people start to see something as”broken”? Do objects around the home just have two states, broken and working, or are there many other kinds of states they can be in? Clearly, the significance of many domestic objects is in relation to the projects of home which surround them and preoccupy the groups of people living together in a household. In some ways, household things are materialisations of projects, and ideas of being broken and fixed express this.

The Broken Stories project involved a group of Masters students on the UCL course Materials/Anthropology/Design at UCL working with Fixperts on issues of what kinds of fixing happen in the home, and what kinds of situations the Fixperts might get involved in.…

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Knowledge as Material Movement in Surfing and Anthropology

David Whyte, UCL Anthropology

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Unpacking at Duggie. Photo: David Whyte

“We’re probably going to surf Banna Strand, but the swell might still be a bit small, I just can’t decide.” Dylan slumps back into the passenger seat of my car and throws his phone momentarily from his hands. He has spent most of the journey with it held to his nose, furrowing his brow as he examines various surf forecasts from across the southwest coast of Ireland. Dylan is one of those people for whom finding good waves has become an obsession, and missing them an unthinkable tragedy. It is a cold October morning, and the swell from Hurricane Joaquin is forecast to make landfall along Ireland’s Atlantic coast around lunchtime.…

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Photography: Between Anthropology and History

Photography: Between Anthropology and History

Photographic History Research Centre, De Montfort University, Leicester, UK

20-21 June 2016

Follow us on Facebook and Twitter @PHRC_DeMontfort

Conference hashtag #PHRC16

PHRC16 Provisional programme

Keynote speakers:

Professor Steve Edwards (Open University, UK)

Dr Wayne Modest (National Museum for World Cultures, Leiden, The Netherlands)

On the occasion of Professor Elizabeth Edwards’ retirement, the 2016 PHRC Annual International Conference will address themes from her complex and wide ranging scholarship on the cultural work of current and historical social photographic practices. Thus, Photography: Between Anthropology and History aims to showcase scholarship driven by engagements with research methodologies that informed the material and ethnographic turns in the study of photographic history, and opened up a variety of innovative critical spaces for the re/consideration of photography and its history.…

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The Beach – A Frontier of Nostalgia

by Duane Jethro

The beach is a place of waste and ruin. Rotting seaweed, stinking dead seals, cracked and crushed shells, deflated bluebottles, fat blobs of translucent jellyfish melting away in the sun. All the finished, broken things spewed out by the ocean.

In early January, estate agent, Penny Sparrow’s comments about Durban’s beaches surfaced in the muck and foam of social media. In a choppy Facebook post, she complained bitterly about black South Africans who swamped the city’s beaches over the festive season break. Allowing these “monkeys” access to the beach ‘invited huge dirt and trouble and discomfort to others’ she cawed. They only “pick drop and litter”. A mob of animalistic black bodies on the beach soiled Penny Sparrow’s romantic ideas of a pristine public space of white leisure.…

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The Anti-Camera

Christopher Pinney, UCL Anthropology

I recently came across M.N. Srinivas’ observation that his enthusiastic engagement with photography, during his fieldwork in Mysore in the late 1940s, earned him the nickname “chamara man”. He notes that in Kannada chamara denotes whisks made of the long hair from a yak’s tails used by servants to keep flies away from Rajas and by priests to preserve the purity of icons.

In the Madhya Pradesh village where I have worked intermittently since 1982 you will hear echoes of the metaphor that informs the South Indian description of Srinivas as “chamara man”. For instance, Jagdish Sharma, the pujari of the Krishna temple once joked that my video camera embodied “yantra, mantra, [and] tantra”, yantra being the design (“made in Japan”), mantra being the information it stored, and tantra being the magic of technology (its “mashinari”).…

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Ain’t no Jaguars in Ghana’s urban jungle: luxury and the postcolonial bizarre

Osu Accra

Sipping my morning coffee in the corrosive speech of Bernard Avle, the radio host of Accra’s Citi FM Breakfast Show – a deliciously satirical commentary on salient socio-economic issues in Ghana –, I find my daily dose of morning chuckling interrupted by the conversational attempts of a friendly French tourist (hereafter Mister F). Having recently arrived in Accra with a defective mobile phone, Mister F paid an obligatory visit to the Vodafone center in Osu – a rich district in central Accra organized around the aptly-named Oxford Street, bordered by air-conditioned shops and expensive restaurants. Complaining of his dislike for Osu, Mister F describes the exotic vision of Jaguars swishing past shaky street shacks; puzzled eyebrows, offended smile, he bitterly whispers: “Two Jaguars driving by, it’s just a bit, a bit, bizarre, isn’t it?”

Isn’t it indeed.…

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Sawdust and Threads

Laurie Ingram, Material And Visual Culture, UCL

 

Sawdust and Threads is a residency and exhibitions programms that takes de-accessioned museum objects as its material. Artist Caroline Wright has undertaken residencies at three different museum collections and selected objects that have been de-accessioned. For Sawdust and Threads, Caroline has made detailed drawings of each of these objects that are then carefully and painstakingly deconstructed. The drawings as well as the objects from the different collections accompany the artist in the space where the process of deconstruction unfolds. The project poses questions around the nature of museum collections. Who owns these objects and how is the value of an object defined? Is value being removed or re-ascribed during this process of deconstruction?

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CFP: Interface Conference: Materiality and Movement (Carleton University)

Carleton University’s Interface Conference: Materiality and Movement, 1-3 May 2015

Keynote Speaker: Dr. Laurel Thatcher Ulrich, Harvard University

Made objects, unlike bodies that disintegrate – are trans-temporal. They are mobile and are continually moving across time and space, carrying within them stories and meanings that they have accumulated as a result of this mobility. In an increasingly interconnected world – where the meanings of mediatory agents are endlessly shifting, traveling and transforming – there is a growing need for critical inquiry that concerns the entangled nature of materiality, mediation and mobility. Themes of distance and nearness and the impact of movement on the material will be considered during this conference. Papers, panels or workshops are welcomed that investigate how contemporary and historical circulations of people and things across time and space have meaningful implications within the contexts of both the local and the global.…

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