Tag Archives: infrastructures

Configuring Light: Staging the Social Project



By Dr. Don Slater (Sociology, London School of Economics and Political Science) Dr. Joanne Entwistle (CMCI, King’s College London) Mona Sloane (Sociology, London School of Economics and Political Science)


Project Website: www.configuringlight.org/#

Light has been largely invisible in social sciences. Although there are established research agendas on vision and visual culture, light itself – as material culture, as infrastructure, as a physical feature of social landscapes – has virtually no literature. Conversely, the largely technical literatures on light in architecture, design and energy studies make sociological assumptions that do not connect to the social science approaches that could help make sense of light as lived practices and understandings (eg, material culture studies, science and technology studies, consumption studies). Configuring Light/Staging the Social aims to forge an integral dialogue between social sciences, design, architecture and urban planning focused on one of the most fundamental features of social life. As the programme title indicates, we are concerned with light as a material thing which is shaped or configured into specific social forms, and which enters into the ways in which social life and interaction is staged and enacted in specific social worlds.

Our aim is to produce both knowledges and methodologies for better researching the ways in which light is configured and the roles it plays in structuring social life. In pursuing this aim, our perspective is ethnographically comprehensive: we want to map all the significant forms of knowledge, practice and governance and all the actors (consumers, designers, planners) that enter into the processes of configuring light and staging social life. We anticipate that the practical and user significance of this research programme could be both large and – at the outset – unpredictable.

Our own expectations are twofold: • Light consumption has a greater impact on energy use than any other single social practice; changes in light use stemming from new knowledges and methodologies can make a huge environmental and economic contribution. • Light, as a fundamental feature of social life and of design, provides grounds for deeper methodological integration between social sciences and design disciplines, with possibilities of dramatic changes of practice on both sides of this divide.

Configuring Light/Staging the Social is a research agenda rather than a single research project. The aim is to develop, over the course of the next year, a limited number of pilot projects into a coherent programme. We have identified four focuses for research development:

Continue reading

Installation – Urban Infrastructure: Obsolescence and Futurity Walking Tour

New Projects

American Anthropological Association Meetings 2013

Chicago, Illinois USA

Sunday, November 24th, 10 am – 1 pm

Crucial infrastructures in North America have begun to reach the ends of their lifespan, with malfunctions and their effects increasingly commanding public and political attention. Our installation draws on a burgeoning conversation in anthropology on infrastructure, while emphasizing its aesthetic and material dimensions alongside its practical and functional ones.

This two-part “installation” consists of a tour of infrastructure on Chicago’s mid South Side (sites tbd), followed by lunch and informal discussion at New Projects space (www.new-projects.org). All sites are accessible by CTA transit. Reservations kindly requested by November 1st for details and 2 short discussion texts. Participants are welcome to join after this date, but must contact organizers for location details. Marina Peterson: petersom@ohio.edu

Sponsored by SUNTA/ SANA


The Jane Fonda-Kit House: arquitectural prototypes and the promised bodies of sustainability

Fernando Dominguez Rubio, Open University and NYU

Today’s post is the result of a collaboration between a brilliant group of Spanish architects, Elii, and myself. The text that follows accompanied the Jane-Fonda Kit House that Elii designed for an exhibition that took place at CIVA‘s room in Brussels.


              The Jane Fonda-kit House at Night

And 1…and 2….warming up!: Stretching & flexing sustainable futures

Conceived as an experimental “house of the future”, the Jane Fonda Kit House departs from those grand architectural visions that have attempted to offer normative or desirable models, to offer instead a rhetorical artefact that seeks to interrogate hegemonic and taken for granted models of sustainability and green architecture.

The JF-Kit house renders the image of a possible future where citizens produce part of their domestic energy requirements with their own physical activities. By bringing this model to the extreme, the house aims to explore some of the grotesque and perverse effects of this model, as well as some of its unexpected potentialities.

This exploration takes place through four different, although tightly interconnected, scales of sustainability. First, the JF-Kit house explores the urban scale by offering an infinitely replicable model for a self-sufficient and off-the-grid ‘parasitic’ structure that can be added onto existing rooftops and walls (such as CIVA’s rooftop). The JF-Kit House thus renders the image of a future in which it will be possible to augment urban density while maximizing energy consumption through the invasion of these parasites. Second, the prototype explores the architectural scale of sustainability by investigating how energy efficiency criteria can be incorporated into architectural practice itself—for example, through the design of the house as an active energy production unit. Third, the JF-Kit House investigates the economic scale of sustainability by offering a model to ‘unblackbox’ domestic energy consumption patterns through the use of different display devices and monitoring tools—like smart energy meters or saving energy devices—, community energy networks, and through the implementation of ‘energy mortgages’ that will use energy savings to pay off house mortgages. And fourth, the houses addresses the oft-neglected socio-cultural scale of sustainability by revealing how the three previous scales of sustainability will remain ineffective unless they are followed by the inscription of a new set of habits and practices into the body politik. The house brings the metaphor of the body politik to its literal extreme by showing how the achievement of sustainable futures will require the production of new bodies: bodies that can be productively mobilized within the domestic space as active agents in the process of energy production.

              The Jane Fonda-kit House, from outside

…and 3…and 4: domestic workout routines for a new bodypolitk

The JF-Kit house reveals the body as a critical passage point and a central battlefield in the articulation of sustainable futures. Bringing the centrality of the body to an extreme, the houses offers an ironical model of citizenship for future sustainable societies: the “Jane Fonda model of citizenship”, which defines the ideal citizen as an individual who can satisfy all her domestic energy needs through her own bodily exercise. Through the radicalization of this model, the JFK house aims to open a debate about the kind of bodies that are required for political participation and for the proper functioning of sustainable economic systems. Specifically, the JFK house asks: What kinds of bodies are imagined to fulfil the promises of these sustainable futures? What kind of domestic infrastructures are required to produce those bodies? What are the new domestic rituals, practices and habits that will have to be inscribed and enacted by those bodies? And more importantly: Which bodies are excluded from participating in those sustainable futures and their promises?

By revealing the home as one of the key spaces where the body politik is being continually made and remade, the JFK house invites us to go beyond those modern distinctions that have separated the public from the private, or political actions from everyday practices. The JFK house envisages a future in which the private space of the home will be transformed into a sui generis political space, that is, into a place in which it will be possible to engage with larger political projects, like sustainable societies or low-carbon economy, through seemingly mundane choices and practices. It does so by showing, for example, how ordinary domestic devices—like ‘domestic fitness furnitures’ —can be productively employed to raise awareness of the energetic and economic costs involved in mundane activities—like cooking, or watching TV, watering the plants, swaying in a rocking chair, or working at home—, and to induce, in so doing, other forms of consumption and political behaviours.

As an experimental exercise in the underexplored field of architectural teratology, the JFK house does not aim to offer the solace of utopian promises or the assured comfort of normative models. It simply aims to create a plausible monstrosity that offers a polemical prototype to extend the sphere of the body politik beyond its traditional formats and sites. The unsolved, and perhaps unsolvable, nature of the questions the house poses is the productive polemical space in which democratic politics take place, and in which a critical architectural practice can be deployed to generate—and, crucially, imagine—, habitable fictions and practical ways of being and dwelling together.

In the video below you can see the JFK-House in action!