March 13-16, 2014
University of North Carolina, Chapel Hill
Submission Deadline: Friday, 15 November, 2013
Music flows. Evocative metaphorically while directing our attention to the global circulation of songs, the theme for the 2014 IASPM-US Annual Conference takes its inspiration from the UNC campus-wide Water initiative. Water in its many forms is a ubiquitous subject of pop songs. Whether as metaphor or literal reference, water imagery as a theme in popular music has been used to celebrate identity, express emotions, address environmental issues, convey pleasure, pay homage to spiritual beings, and shape communities of resistance. Here we take up notions of fluidity and flow to address not only what many deem our most important natural resource, but to consider the ways in which water’s qualities may yield productive insights into the present and future of popular music.
Fluidity suggests smoothness and flow, as well as uncertainty, indefiniteness, and mutability. This tension is felt across global capital, ecology, and the business of music, as money, energy, and sounds flow around the world, their movement unevenly enabled and restricted by a range of economic, political, and cultural forces. From the licit or illicit circulation of songs to the melting of glaciers, popular music – and the world in which it exists – faces a future in which the status quo is quite literally in flux. With seemingly solid foundations melting away, we face a moment of productive instability, in which new potentialities emerge even as life as we know it may be dramatically transformed.
The 2014 IASPM-US Annual Conference will take place from March 13-16, 2014 at the University of North Carolina, Chapel Hill. The Center for the Study of the American South (CSAS) will be our host on campus, in collaboration with the Department of Music and the Southern Folklife Collection. Papers related to popular music and southern culture are especially welcome. Look for a featured panel on southern music and enjoy a lively reception hosted by the Center.
Papers may focus on one of the following aspects of the theme, on other aspects of the conference theme, or – as always – any other issue in the study of popular music.