Tag Archives | fashion

Creating African Fashion Histories

Via Helen Mears, Keeper of World Art, Royal Pavilion and Museums, Brighton

A conference hosted by Royal Pavilion & Museums, with the Sussex Africa Centre / University of Sussex, and the University of Brighton

 The Old Courtroom, 118 Church Street, Brighton Museum & Art Gallery

Wednesday 2 November 2016

Coinciding with the first major UK exhibition dedicated to contemporary African fashion, Fashion Cities Africa, this one-day conference will explore the possibilities and limitations of dress and fashion history to discuss current and past narratives in African fashion.

Panels will focus on the construction of African fashion histories; the role of African diasporas in the translation of African fashions; new directions in collecting and curating African fashion and the evolution of new platforms for the dissemination of African fashion.…

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CFP: Dressing Global Bodies Conference

The University of Alberta, Department of History and Classics, would like to share the following details of the Dressing Global Bodies Conference Call For Papers:

Dressing Global Bodies:
Clothing Cultures, Politics and Economies in Globalizing Eras, c. 1600s-1900s

7-9 July 2016, University of Alberta, Edmonton, Canada
Co-Organized with the Pasold Research Fund, UK

The clothes on our backs are intimately connected with bodily experiences, cultural, social and gender portrayals, as well as the economies of fashioning and re-fashioning across place and time. Garments reflect the priorities of local and international economies, collective and personal inclinations, religious norms and conversions. These materialities are shaped by global flows of cloth and beads, furs, ready-made and second-hand apparel, in dynamic processes of fashion exchange.…

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Nike’s Not-so-Pro Tattoo…

… and the continuing legacy of Native appropriations in American fashion.

By Emily McGoldrick (Independent Scholar, New York City) 

Image 1: Nike’s “Pro Tattoo” collection of women’s exercise apparel, before its discontinuation.

Image 1: Nike’s “Pro Tattoo” collection of women’s exercise apparel, before its discontinuation.

 

When Nike unveiled their Pro Tattoo line of women’s workout gear this summer, a wave of protest followed. The small collection included a sports bra, exercise tights, and a bodysuit decorated with the intricate black line patterns of traditional Samoan pe’a tattoos [Image 1]. Nike launched the garments at the end of July, and quietly pulled them from shelves and online retailers three weeks later. The company issued an apology that stated, “The Nike Tattoo Tech collection was inspired by tattoo graphics. We apologize to anyone who views this design as insensitive to any specific culture.…

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Exhibition: “An American Style: Global Sources for New York Textile and Fashion Design 1915–1928”

On View September 27, 2013–February 2, 2014

At the Bard Graduate Center, New York, NY

Walter Mitschke for H. R. Mallinson & Co. Drawing for “Zuni Tribe,” ca. 1927. Pencil and gouache on paper. Museum of Fine Arts Boston, Gift of Robert and Joan Brancale, 2008.1950.35.

Walter Mitschke for H. R. Mallinson & Co. Drawing for “Zuni Tribe,” ca. 1927. Pencil and gouache on paper. Museum of Fine Arts Boston, Gift of Robert and Joan Brancale, 2008.1950.35.

By Ann Marguerite Tartsinis, Curator of the Exhibition

An American Style: Global Sources for New York Textile and Fashion Design, 1915-1928 examines the efforts of the American Museum of Natural History to educate and inspire New York textile and fashion designers during and after World War I. This remarkable exhibition features rare textiles and garments ranging from a 1920’s hand-batiked caftan-style dress and mass-market hand-blocked silks to Native American and other indigenous dress. Never-before-seen photographs, objects, and design manuals will be on view.…

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