Tag Archives | Colonialism

From Home Movies to Homs

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The amateur film is becoming a global visual lingua franca, a consequence of the conjuncture of the digital with new and widely accessible film technologies (notably the camera phone) and new methods of distribution (open access video platforms, typified by YouTube). Amateur film now saturates online media discourse as well as personal and social media communication. Its ubiquity is one visible example of the current radical shift in media systems, whilst the films themselves are both reshaping the formal language of the moving image and refashioning the representation, mediation, and even the construction of the self. In these three workshops we propose to examine the history and present state of amateur film, beginning with amateur films shot in the British colonies, and stretching through to the use of amateur film in the ongoing conflict in Syria.
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Encounters: Photograph albums and their stories

Ulrike Bessel, Curatorial Assistant, Royal Engineers Museum, Library and Archive

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A new photography exhibition, open from 22nd October 2013 – 30th May 2014 at the Royal Engineers Museum, Library and Archive in Gillingham, Kent, will show a different side of the Museum’s collection. Supported using public funding by Arts Council England, the exhibition ‘Encounters: Photograph albums and their stories’ presents unseen photographs and albums, dating back to the 1850s, which have been chosen from a collection of over 600 photograph albums at the Royal Engineers Museum.

The exhibition explores the narratives that are told through photograph albums and scrapbooks. These hold an intriguing mixture of private photography and commercial prints and postcards. Until the end of the nineteenth century, photography was an expensive and complex process, so that the purchase of photographs was common practice.…

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