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Lloyd Coleman on How He Has Music at His Fingertips

Annamaria Dall’Anese – PhD Anthropology

 

 

Lloyd Coleman on How He Has Music at His Fingertips

 

Anthropology’s aim is to see the world through the native’s point of view (Malinowski 1961[1922]:25), and intersubjectivity is often the trigger of fruitful ethnographic discoveries, as well as human bonds in general (Jackson 1998:65). But what happens when a disparity between the sensory endowments of the actors intervenes in their encounter? To answer such an anthropological question, we turn to the relationship that Lloyd Coleman has with sound, music, and his clarinet. Educated at the Royal Academy of Music and recently appointed Associate Music Director of the Paraorchestra, the world’s only large-scale ensemble of disabled musicians, he is a hearing- (and visually) impaired composer.

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