Haidy Geismar, UCL
In this new series of summer posts, we, the editors look back at the past 8 or so years that Material world Blog has been going and curate a series of “best of” themed post. Here, I link to what I consider to be some of the very best postings about art on the site.
In his post Twenty-Six Gasoline Stations on the Dhaka-Chittagong Highway Christopher Pinney presents a series of his own technicolour photographs, inspired by Ed Rucha’s 1963 series.
Jonathan Patkowski and Nicole Reiner unpack Alfred Barr’s infamous artist network diagram and unpack the neoliberal logics of the avant-garde as presented in the exhibition “Inventing Abstraction“.
Ryan Schram describes the tensions and identity around the speaker of the Parliament of Papua New Guinea trying to destroy the carvings evoking customary art and identity, made upon independence to decorate the new Parliament House.… Continue Reading
CfP for papers to be included as part of panel proposal called ‘materialities of religious engagement’ for this year’s British Association for the Study of Religions conference.
Where: This year’s BASR conference will be held at The Open University, Milton Keynes, UK.
When: 3rd-5th September, 2014.
250 word abstracts may be sent by 16.06.’14
to firstname.lastname@example.org.… Continue Reading
11th of July 2014 at
the University of York
We’ve just launched a new heritage visualisation project at the University of York & I’m hopeful you might be keen to participate and/or spread the word. Thank you in advance for your interest!
Are you concerned with the way the past is presented? Have you ever worked with (or wished you could work with) art, photos, video, diagrams, websites or other forms of graphic and performance pieces in the context of interpreting the archaeological and heritage records? Are you interested to innovate with the visualisation of history and prehistory?
If so, we invite your participation in The Heritage Jam (www.heritagejam.org), a collaborative global event in heritage visualisation, taking place both online and in-person on the 11th of July 2014 at the University of York.… Continue Reading
Haidy Geismar, UCL
I have been thinking a lot about the power of digital imaging and the kinds of subjectivities that are built into the construction of three dimensional images as particular kinds of visualizations of museum collections. The British Museum is currently host to the exhibition, Ancient Lives New Discoveries, an exhibition of eight mummies from Egypt and the Sudan ranging from 3500 BC to 700AD. The exhibition presents these eight mummies as individuals and showcases a collaboration with digital imaging and technology partners. Instead of actually unwrapping the mummies, CT and other scanning technology was used to look inside both the sarcophagi and the textile wrappings of the bodies, to uncover the bones and flesh within and to create new three dimensional visualizations.… Continue Reading
Media Worlds and the Ethnographic Imagination
A workshop organised by the Goldsmiths Media Ethnography Group and the Department of Media and Communications, Goldsmiths University of London
June 16th 2014, 10:00am – 6pm
LG01 and 314 Stuart Hall Building (formerly New Academic Building)
Goldsmiths, University of London
This one-day event launches the Goldsmiths Media Ethnography Group, an interdisciplinary network of scholars who use ethnography to understand our mediated worlds. The workshop is organised around a series of talks, panels and round-table discussions which will trace the diverse traditions and future trajectories of media ethnography. Apart from showcasing the richness of ethnographic research on media practices, broadly defined, speakers will also address questions of ethnographic practice. The workshop aims to encourage an interdisciplinary dialogue through which we will consider different types of ethnography (including auto-ethnography and digital ethnography) and the challenges and opportunities of conducting ethnographic research in digital environments.… Continue Reading
In March, Gabriella Coleman gave a talk at the UCL Centre for Digital Anthropology drawing on her research with the activist (non)collective Anonymous. Her talk, entitled Anonymous and the Craftiness of Craft and the Trickiness of Trickery, linked Anonymous activists to the anthropological archetype of the trickster, and developed the trope of craft – as an engaged, wholly material practice – as a way to enact trickery.
The talk can be watched by clicking on the following link, or the one above (I’m trying to figure out how to embed it into wordpress)
Gabriella Coleman, March 11, 2014… Continue Reading
Call for Papers
Trans-Atlantic Dialogues on Cultural Heritage: Heritage, Tourism and
13-16 July 2015, Liverpool, UK
Abstracts of 300 words with full contact details should be sent as soon as
possible but no later than 15th December 2014 to
Trans-Atlantic dialogues on cultural heritage began as early as the voyages
of Leif Ericson and Christopher Columbus and continue through the present
day. Each side of the Atlantic offers its own geographical and historical
specificities expressed and projected through material and immaterial
heritage. However, in geopolitical terms and through everyday mobilities,
people, objects and ideas flow backward and forward across the ocean, each
shaping the heritage of the other, for better or worse, and each shaping the
meanings and values that heritage conveys.… Continue Reading
Circulation, Appropriation and Visual Consumption of Crafts in Chennai.
Founder & Director,Cultural Dynamics & Emotions Network (CDEN), School of History and Anthropology,Queen’s University Belfast, U.K. www.qub.ac.uk/cden
Chairperson,Center for Creativity, Heritage and Development, Chennai, INDIA, www.cchd.in
In 2012, a world crafts summit was convened by World Crafts Council in the metropolitan city of Chennai, South India. World Crafts Council is a non-profit organization, affiliated to UNESCO, that works “to strengthen the status of crafts as a vital part of cultural and economic life” as recounted in their web portal. In a press meet during the summit, the President of the World Crafts Council said, “One of the objectives of this summit is to reinforce the importance of crafts in our society and culture… Why should crafts take a back seat to other forms of art such as paintings, sculptures, music, dance and films? Crafts are also works of art in their own way…Therefore, I also feel that craftspeople should be given the same kind of respect and social status that fine artists are given.”
This summit, among other events and activities, comprised craft expositions organized at various renowned art galleries in the Chennai city. The organizing team of the summit said that they wanted to create an interface between art and craft and had labelled this initiative as the “interdisciplinary art-craft exhibitions series”. A range of crafts including textiles, puppets, baskets, furniture and home accessories moved into the art space in local art galleries that predominantly hosted art exhibitions comprising sculptures and paintings in the past. The ensuing circulation and consumption of crafts shall be the focus of my following discussion with specific reference to two examples.… Continue Reading
Kriistina Pilvet (EHI, Tallinn Univ.)
This posting deals with the Old Believer’s congregation of Piirissaare — a little island situated in lake Peipus which makes up part of the Russian-Estonian border. The main focus of this case study is the interaction of their identity and the modern technology they use in order to perform their culture in the peripheral region of one of Europe’s more avant-garde ICT countries.
Normative discourse on Old Believers, especially in Estonia, has often presumed some insularity, un-moderness and technophobic behaviour from the representatives of the given congregation. This narrative is so embedded in the representation of Old Believer’s that it has become a ‘norm’. Several different sources starting from academic publications in anthropology (Dolitsky & Kuzmina 1986; Vorontsova 2000; Filatova ; Ziolkowska 2011) and ending with different travel agency brochures and web sites (www.puhkaeestis.ee, www.estravel.ee) as well as ethnographic films (Brummend 2011) tend to associate Old Believers with traditionalism and a restrained way of life.… Continue Reading
Please do have a look at the new summer term programme of Curious Matters with talks on pictures in the megapixel range, neon, a visit to the Ruin Lust exhibition at Tate Britain and a workshop on wolves and werewolves.
Hope to see you there.
Dr Petra Lange-Berndt, Dept. of History of Art, UCL
… Continue Reading