Christopher Pinney, UCL
[Please note: this post was written before the intensification of the current Israeli offensive on Gaza]
I decided to transgress the BDS (Boycott, Disinvestment and Sanctions) injunction and attend a conference on ‘The Photographic Imagination’ in Tel Aviv in June 2014 for several reasons. The two central ones concerned, firstly, the Apartheid analogy. Having taught a short course at the University of Cape Town in 2000 it was quite apparent that there were many courageous dissident academic intellectuals that had been a key element of the resistance during the 1980s and earlier. Collaboration with them would have been quite different from buying South African produce. The second reason has an element of illogicality, which is repeatedly pointed out to me: Syria.… Continue Reading
– Compiled by Aaron Glass (Bard Graduate Center)
Since its inception, Material World has treated museums and archives not only as repositories of material culture, but as material culture–that is, material products as well as producers of culture and social memory. As institutions, they are sites of collection and exhibition, acts that have their own material and materializing dimensions.
Here are some of our favorite posts about museums, exhibitions, archives, and memorials:
Graeme Were reviews the Musée du Quai Branly a year after it opened.
Anna Weinrich examines two permanent museum exhibitions in Australia featuring Aboriginal culture and collections by a foundational anthropologist, testing out the new museology against the politics of Aboriginal voice.
Diana Young discusses her curatorial efforts to enliven museum collections in dialogue with Aboriginal artists.… Continue Reading
Earlier this year, artist George Butler spent several days in the refugees’ ‘tented settlements’ of northern Lebanon. His portraits of the people – and the often random possessions they brought with them when they fled their homes – tell their own poignant tales. Picture captions by Nick Rice.
Read the full story and see more images in The Guardian… Continue Reading
Haidy Geismar, UCL
The latest issue of Hau has a symposium on Pierre Lemmonier’s latest book, Mundane Objects, with commentary by Bruno Latour, Chris Ballard, Tim Ingold, Paul Graves-Brown, Susanne Küchler and a response by Pierre Lemmonier. The series of comments essentially sum up a “state of the art” comment on material culture theory, which Tim Ingold pithily sums up to date:
Perhaps there is something to be said for going back to the anthropological debates of the 1960s and 1970s on such themes as symbolic condensation, the distinction (or lack of it) between ritual and practical-technical actions, and how to do things with and without words. Arguably, our understandings have not been much advanced by subsequent approaches to material culture, for example by treating it as a system of signs whose meanings could be read off from the objects themselves, by entering them as candidates for social life but only as tokens of exchange among human beings, or by focusing on their consumption at the expense of their production.Nor—and here I agree wholeheartedly with Lemonnier—is there anything to be gained from leaving the heavy lifting to such philosophical juggernauts as “agency” and “materiality.” Most agency-speak is as tautologous as the functionalism it replaced: where before, if the presence of a thing has effects (and it would not be present if it did not), these effects were attributed to its functioning, nowadays they are attributed to its agency.
… Continue Reading
Special Issue co-edited by Ines Weizman and Jorge Otero-Pailos
Future Anterior invites essays that explore the relationship between copyright and preservation from a historical, theoretical and critical perspective. Both copyright and preservation laws are aimed at protecting unique human achievements, but they point to different, even opposing threats. Whereas copyright is meant to protect private interests from public encroachments, preservation mostly aims to safeguard the public interest against private forces. But as the categories of private and public are redrawn under the pressures of globalization, what challenges and opportunities lay ahead for preservation?
Both preservation and copyright law attempt to answer a basic question: Who has the right to make a copy? This question has a long but unexplored history within preservation.… Continue Reading
We are pleased to announce the Call for Papers and Visual Projects for the Conference Studies and Dialogues between Anthropology and Art organized by the Pontificia Universidad Católica del Perú. The conference will take place in Lima on November 19 -21, 2014.
The keynote speakers for our conference will be Dr. George Marcus, Chancellor´s Professor of Anthropology at University of California Irvine, and Dr. Fred Myers, Silver Professor of Anthropology at New York University.
The deadline for submissions is August 05, 2014. The language of the Conference will be Spanish. For more information and conference updates, please visit our website at seminario.pucp.edu.pe/antropologia-arte/
We look forward to submissions!
Giuliana Borea, Conference coordinator… Continue Reading
CfP, Symposium hosted by the Social Analysis of Health Network, Cantab
Closes Monday 14 July
Having worked with Professor Julienne Hanson at the Bartlett School of Graduate Studies for some time, I became increasingly aware of the relationships between materiality and social well-being. Indeed, there is currently some fascinating scholarship on the issues dealing with ethnography and technology as well as the home, the indi-vid(s)ual and collective forms of medical care.
This current symposium CfP is a fine example of this, featuring medical anthropologists known in the UCL community as well as within EASA and other networks.
For further info please see:
Social Analysis of Health Network (SAHN) website:
18-19 September 201, Post-doctoral Suite, 16 Mill Lane, University of Cambridge.… Continue Reading
Daniel Miller, UCL
Krisztina Fehérváry 2013 Politics in Color and Concrete: socialist materialities and the middle class in Hungary. Indiana University Press
Léna Pellandini-Simányi 2014 Consumption Norms and Everyday Ethics. Palgrave Macmillan
Hungary is a good place to take stock of the current state of material culture studies. Because Hungary is simply a good emblem of `anywhere,’ in that it represents neither a vanguard nor a backwater, but works as simply another ordinary place. That is significant to me because the material culture studies that I guess I have always wanted to promote are precisely about this same ordinary whether as blue jeans, or domestic interiors.
Fehérváry’s exemplary scholarship, both historical and ethnographic, takes us through both socialist modernism and post-socialist consumer modernism in the development of contemporary Hungary.… Continue Reading
Haidy Geismar, UCL
In this post, I link to the very best posts in our archive focused on making, doing and craft.
In Fixing, Things, Fixing Ourselves, Lydia Nicholas writes about Suguru, an open source material for extending the life of mass produced (or any other) artifacts.
In Plan B for a Nuclear Reactor, Paul Williams describes the transformation of a nuclear power plant into a heritage site.
Gabriella Coleman outlines her theory of hackers, liberalism, and pleasure, which became an important part of her book, Coding Freedom.
Ian Ewart was an Anthropologist Looks at Engineering.
Adam Drazin presents the Mechanical Postcard, an intervention into UCL Ethnography Collections by Mattijs Siljee, of Massey University, New Zealand.
And on the opposite side of making, unmaking, Helen Polson writes about how Death Bear Wants Your Unhappy Things.… Continue Reading