Archive | Notes from the Field

Sonically Transforming Washi Paper

Jessica Knights, Material and Visual Culture MA, UCL Anthropology

 

While undertaking my Master’s in Material and Visual Culture in UCL’s anthropology department last year, I received a Heinz Wolff Materials Bursary to carry out a project at the University’s Institute of Making. My proposal was to explore the properties of Washi paper, a type of handmade paper made in Japan. Washi is made predominantly from the paper mulberry (kozo) tree by traditional methods, and has been used for diverse purposes; from raincoats to kimonos, aerial bombs to toilet paper (Barrett 1983). I first became interested in this material through bookbinding, and was struck by its strength and durability as much as its tactility, delicacy, and softness.

My approach was largely influenced by our course literature, in particular the work of Tim Ingold.…

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The Material Culture of the Boxer – a post-fieldwork reflection

[By Pete Lockwood, a former MSc Social Anthropology student (2013-14) from UCL]

peter.lockwood.13@ucl.ac.uk

 CNV00021

 

When I conducted fieldwork in an Essex boxing gym for my MSc dissertation in Social Anthropology over the summer months of 2014, like a lot of other fieldworkers might do, I was reading bits of theory that seemed to speak to my emerging ethnographic data. Because my fieldwork was still going on, I ended up thinking about a few ideas that ultimately never made it into my dissertation. In the end, my argument turned out to be about the self, and the forms of practical “poiesis” through which the self is transformed in boxing (cf. Herzfeld 1985). But in building an argument about the relationship between the “sensori-motor conduct” of sport – practical activity that is inherently perceptual and has effects on human beings as subjects (Warnier 2009: 465) – and notions of personhood in a Western social context, I perhaps didn’t do enough justice to the “material culture” that “props up” sensori-motoricity as a principle of being-in-the-world (Warnier 2007: 1-3).…

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Trees and Fairy Lights

Timothy Carroll, UCL Anthropology

Source: http://www.london-attractions.info/trafalgar-square-christmas-tree.htm Source: www.london-attractions.info/trafalgar-square-christmas-tree.htm

London’s Trafalgar Square holds a rather central spot in the festival seasons of the city. Early in December, as it has since 1947, it again played host to a towering conifer gifted to the people of Britain by the city of Oslo, Norway, in appreciation for their help during World War II. With some press announcement about the tree fresh in my head, I left London to attend the Anthropological Association in America, held this year in Washington D.C. There, by matter of course, I happened upon an other Norwegian Christmas Tree, this one tucked in corner near the Metro entrance (the West Carriage Porch, to be exact) of Union Station. This one is given by the people of Norway to the United States as a gift of appreciation for the assistance given to Norway during and after World War II, a long established tradition going back, the Union Station says, to 1996.…

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Exploring Digital-Visual Anthropological Research Methods: www.photoblogsiran.com

[This is an invited post from a PhD student working at Oxford University, accompanied by a series of comments about visual methods from PhD students working at UCL]

Shireen Walton, PhD candidate in Anthropology, Institute of Social and Cultural Anthropology, University of Oxford

shireen.walton@sant.ox.ac.uk

Oxford Digital Ethnography Group (OxDEG)/www.facebook.com/groups/OXDEG/

 

In June 2013, after nine months of ethnographic fieldwork researching Iranian popular photographic practices in Iran, the UK and online, my principal participants (Iranian photobloggers, based inside and outside of Iran) and I discussed the idea of co-curating a digital photography exhibition of their work. The idea of developing an innovative, site-specific methodology emerged during the research process, but seemed appropriate given that a) it reflected what photobloggers do – they create digital exhibition spaces in the form of photoblogs to share their photographs with viewers across the world – and b) it would establish a relevant digital environment in which to participate and observe their practices.…

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Disobedient Objects

Hannah Knox, Lecturer in Digital Anthropology and Material Culture, UCL Anthropology

Zapatistas. Attribution: Nathan Gibbs https://flic.kr/p/3eMx1h Licensed under Creative Commons.

Zapatistas. Attribution: Nathan Gibbs
flic.kr/p/3eMx1h
Licensed under Creative Commons.

 

In 1996 I worked in Mexico for eight months and during my time there visited the famous village of San Cristobal de las Casas in Chiapas. One of my abiding memories of San Cristobal was of the women from the village who were selling artisanal products to tourists on cloths laid out on the floor in the square in front of the church. Whilst the sale of artisanal objects was commonplace in Mexican villages, in amongst the traditional traditionally dressed dolls I had been surprised to see dolls sporting cloth balaclavas and guns. The dolls were a homage to Subcomandante Marcos and the 1994 uprising of the Zapatista Army of National Liberation (EZLN) against the Mexican government and its signing of the NAFTA free trade agreement with the United States.…

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Occasional Paper No. 3: Space and Place in a Disaster Landscape – the phenomenology of Hurricane Katrina recovery in Waveland, Mississippi

Announcing the third of our Occasional Paper Series:

Space and Place in a Disaster Landscape: the phenomenology of Hurricane Katrina recovery in Waveland, Mississippi

By Sabrina Bradford and Abby Loebenberg

Sabrina Bradford is a senior Anthropology student enrolled in the Sally McDonnell Barksdale Honors College at the University of Mississippi. She is a native of Waveland, Mississippi and has been present for every hurricane that has struck the town since 1991, including Hurricane Katrina. She and her family survived Katrina’s surge, remaining in their Waveland home, which received substantial structural damages as a result of the surge waters that inundated it.  This paper was drawn from the experiences and recovery process of that event.

Abby Loebenberg is a Barksdale Fellow at the Sally McDonnell Barksdale Honors College at the University of Mississippi.

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Best of Material World Blog: Landscape and Place

Patrick Laviolette (EHI, Tallinn University, hosts of EASA2014)

In terms of providing reflections on the material dimensions of place and landscape, here are some links to what I feel have been amongst the more provocative postings on the blog over the years. Many of the authors to the links below implicitly, or sometimes even explicitly ask: how do we depict our spatial experiences through the digital medium of blogging?

In Feb 2007, Graeme Were put up a piece simply entitled ‘Footpaths‘ by Kate Cameron-Daum. It is an eye-catching post which stirred my own curiosity on methods of walking, particularly in the countryside. Similarly, Peter Oakley’s observations at Tyntesfield house in A Roof with a View, reflects upon the postmodern condition of a heritage site standing below some scaffolding.…

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Made in Palestine

Christopher Pinney, UCL

[Please note: this  post was written before the intensification of the current Israeli offensive on Gaza]

I decided to transgress the BDS (Boycott, Disinvestment and Sanctions) injunction and attend a conference on ‘The Photographic Imagination’ in Tel Aviv in June 2014 for several reasons.  The two central ones concerned, firstly, the Apartheid analogy. Having taught a short course at the University of Cape Town in 2000 it was quite apparent that there were many courageous dissident academic intellectuals that had been a key element of the resistance during the 1980s and earlier. Collaboration with them would have been quite different from buying South African produce. The second reason has an element of illogicality, which is repeatedly pointed out to me: Syria.…

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Best of Material World Blog: On Making, Craft, and Unmaking

In this post, I link to the very best posts in our archive focused on making, doing and craft.

In Fixing, Things, Fixing Ourselves, Lydia Nicholas writes about Suguru, an open source material for extending the life of mass produced (or any other) artifacts.

In Plan B for a Nuclear Reactor, Paul Williams describes the transformation of a nuclear power plant into a heritage site.

Gabriella Coleman outlines her  theory of hackers, liberalism, and pleasure, which became an important part of her book, Coding Freedom.

Ian Ewart was an Anthropologist Looks at Engineering. 

Adam Drazin presents the Mechanical Postcard, an intervention into UCL Ethnography Collections by Mattijs Siljee, of Massey University, New Zealand.

And on the opposite side of making, unmaking, Helen Polson writes about how Death Bear Wants Your Unhappy Things.…

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Authoring King’s Cross

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Who will author the future of King’s Cross? You are invited to join us for an in-person and on-location collaborative update to Wikipedia’s entry for King’s Cross Central on 21st June at The Crossing, Central Saint Martins, 1 Granary Square, London N1C 4AA.We will consider the contents of the existing article and identify what is missing and why. Throughout the afternoon, we will update the Wikipedia entry to more fully reflect the history and contemporary dynamics of King’s Cross from a variety of perspectives. Anyone with an interest is welcome to drop by between 2.30 and 5.30pm.This event is part of the Contested Spaces forum at Central Saint Martins and will be immediately followed by a panel discussion on the theme of Gentrification and Regeneration.
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