Archive | From the news

“We left when the bullets were falling like rain:” Syrian refugees’ illustrated stories

These items belonged to a family of four who spent a night in the mountains before arriving in El-Qaa in the northern region of the Bekaa Valley. Their new home was a makeshift tent on agricultural land. Rent was covered by working in the fields for the Lebanese farmer. The children grabbed the teddy bear and soft toy. The mother grabbed a box that she knew the torch was in. All the other items just happened to be in the same box. Even though some of it is useless, such as a TV remote, they could not bring themselves to discard it.

These items belonged to a family of four who spent a night in the mountains before arriving in El-Qaa in the northern region of the Bekaa Valley. Their new home was a makeshift tent on agricultural land. Rent was covered by working in the fields for the Lebanese farmer. The children grabbed the teddy bear and soft toy. The mother grabbed a box that she knew the torch was in. All the other items just happened to be in the same box. Even though some of it is useless, such as a TV remote, they could not bring themselves to discard it.

Earlier this year, artist George Butler spent several days in the refugees’ ‘tented settlements’ of northern Lebanon. His portraits of the people – and the often random possessions they brought with them when they fled their homes – tell their own poignant tales.…

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Gabriella Coleman on Anonymous

ColemanFlier v2

In March, Gabriella Coleman gave a talk at the UCL Centre for Digital Anthropology drawing on her research with the activist (non)collective Anonymous. Her talk, entitled Anonymous and the Craftiness of Craft and the Trickiness of Trickery, linked Anonymous activists to the anthropological archetype of the trickster, and developed the trope of craft – as an engaged, wholly material practice – as a way to enact trickery.

The talk can be watched by clicking on the following link, or the one above (I’m trying to figure out how to embed it into wordpress)

Gabriella Coleman, March 11, 2014

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Veiled Truths by Hossein Fatemi

"Mayha." Credit: Hossein Fatemi/Panos Pictures. Reposted from the New York Times.

“Mayha.” Credit: Hossein Fatemi/Panos Pictures. Reposted from the New York Times.

The New York Times recently ran this photo essay by the Iranian documentary photographer Hossein Fatemi of diverse women in Tehran posing behind veils of one sort or another, accompanied by a short commentary critiquing the imposition of the hijab on secular women there. While the piece ran in the “Review” (opinion) section of the Sunday print edition, it was featured online — without the commentary — as a “Fashion and Style” slideshow.

 

 …

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Jacques Le Goff [1924-2014]

Born on January 1st 1924 in Toulon, historian Jacques Le Goff has died on 1 April in Paris aged 90. He took up a teaching position and eventually headed up the Paris based School for Advanced Studies in the Social Sciences (EHESS). He was one of the main proponents of ‘New History’, inspiring a shift in historical research from an emphasis on political figureheads and mata-events to social memory and historical anthropology.

le GoffThroughout a long career in higher education and public broadcasting, Le Goff transformed views of the Middle Ages from a dark and backward time to a period that set the building blocks for modern Western civilisation.

Outside the lofty towers of academia, Le Goff hosted a weekly history programme on the public radio station France Culture.…

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Unpacking the Cars and Sheds with Genevieve Bell

Unpacking Cars Intel Image

Intel’s resident cultural anthropologist, Dr. Genevieve Bell, was recently featured in an article, “Intel’s Sharp-Eyed Social Scientist” in the New York Times. The article traces some of the findings and insights from Bell’s 16 years at Intel, including a study of how people use technology in their car which will be of interest to material culture studies and STS scholars. Her video interview with Sydney Morning Herald, A Moment with Genevieve Bell, also features some of her recent work in Australia on people’s everyday relationships with sheds.…

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What is a photograph

what is a photograph

 

The current exhibition at the International Center of Photography, New York, asks “What is a photograph?”

Organized by ICP Curator Carol Squiers, What Is a Photograph? explores the intense creative experimentation in photography that has occurred since the 1970s. Conceptual art introduced photography into contemporary art making, using the medium in ways that challenged it artistically, intellectually, and technically and broadened the notion of what a photograph could be in art. A new generation of artists began an equally rigorous but more aesthetically adventurous analysis, which probed photography itself—from the role of light, color, composition, to materiality and the subject.What Is a Photograph? brings together these artists, who reinvented photography.

 

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Agbogbloshie: the world’s largest e-waste dump – in pictures | Environment | theguardian.com

 

Adam Nasara, 25, uses Styropor, an insulating material from refrigerators, to light a fire

Adam Nasara, 25, uses Styropor, an insulating material from refrigerators, to light a fire

Agbogbloshie: the world’s largest e-waste dump – in pictures | Environment | theguardian.com.

 

Discarders of electronic goods expect them to be recycled properly. But almost all such devices contain toxic chemicals which, even if they are recyclable, make it expensive to do so. As a result, illegal dumping has become a lucrative business.

Photographer Kevin McElvaney documents Agbogbloshie, a former wetland in Accra, Ghana, which is home to the world’s largest e-waste dumping site. Boys and young men smash devices to get to the metals, especially copper. Injuries, such as burns, untreated wounds, eye damage, lung and back problems, go hand in hand with chronic nausea, anorexia, debilitating headaches and respiratory problems.

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Stuart Hall [1932-2014]

SH

Recent obituaries for the late doyen of cultural studies, who also greatly influenced material culture studies, Professor Stuart Hall, have appeared in the Jamaica Observer and the Guardian.

A founding member of the New Left Review, Professor Hall is probably best known in the UK as an inaugural member of the Centre for Contemporary Cultural Studies at Birmingham University when, in 1964, he accepted the invitation of its Director Professor Richard Hoggart to join as the Centre’s first research fellow. Hall himself became Director of CCCS a few years later in 1968.

Born in Kingston Jamaica, Hall fled for the UK in 1951 to take up a Rhodes scholars fellowship at Merton College, University of Oxford. He famously abandoned his thesis on Henry James to become an activist in London and during a CND march in 1964, met what would become his life long partner, historian Catherine Barrett.…

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A New Government Breaks With The Past in The Papua New Guinea Parliament’s “Haus Tambaran

Ryan Schram, University of Sydney

The 2013 session of the Parliament of Papua New Guinea (PNG) ended with drama from an unexpected place. After months of stories from PNG of mobs and armed gangs torturing women and men they accused of sorcery, and a campaign of symbolic mourning by women across the country against violence, most of December was given over to a media scandal about a decision by the Speaker of Parliament, Theo Zurenuoc, to remove carvings and statues he considered demonic from the parliament building.

The lintel and facade of the National Parliament Building, October 2013 (Credit: So Much World, So Little Time http://somuchworldsolittletime.wordpress.com/2013/11/02/arts-of-png-parliament-house/)

The lintel and facade of the National Parliament Building, October 2013 (Credit: So Much World, So Little Time somuchworldsolittletime.wordpress.com/2013/11/02/arts-of-png-parliament-house/)[/caption]

On December 6, a normally quiet time in PNG before Christmas, the Papua New Guinea Post-Courier reported that the Speaker of Parliament, Theo Zurenuoc (Finschhafen, Morobe Provnice) planned to remove a lintel of 19 ornately carved faces from iconic facade of the national Parliament House.…

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