Some of you more regular readers may have noticed that we’ve been posting less at material world blog of late. When Danny Miller and I started the blog in 2006 the blog was a way for me to keep my connection to the vibrant material culture group in the Anthropology Department at UCL where I had been a doctoral student as well as to connect UCL to the broader interest in material culture developing in the US. Since 2006 we have had a series of dedicated editors and editors-at-large, based all over the place, who have regularly provided content ranging from exhibition and book reviews through to notes from the field and good links. One of the things I’ve liked most about the site is that is its commitment to many voices and the space it has given to students and to scholars whose first language is not English to present their ideas.…
Haidy Geismar, UCL Anthropology
Properties and Social Imagination is a book length project that drew on explorations and experiments by students and staff working with UCL’s Ethnography Collections.
The project has drawn together Masters and PhD students, staff, and a team of scholars and artists based in the College for Creative Arts at Massey University. Our primary focus is UCL’s ethnographic collections and we have explored the dynamic ways in which the formal qualities of stone, wood and cloth create new cultural sensibilities and new collaborative research practices. Our projects instantiates the dynamism of collections-based research and presents a number of visual projects inspired by these processes, demonstrating that collections are not static but continually in motion.…
Since the Material World Blog began, the digital media landscape changed dramatically. In social media terms, we have moved from Friendster, MySpace and Orkut to Facebook, Twitter, Instagram and WhatsApp, with a range of other digital, mobile and social media becoming embedded within many people’s everyday lives around the world. These transformations resulted in an increasing number of posts that explored the changing relationships with digital media and made visible the materiality of the digital worlds. In my review of the best of digital media on Material World Blog, five key themes emerged.
(1) The first theme clusters around questions of place and materiality with the growth in digital media. These include Jean-François Blanchette’s wonderful post analysing bits and the software history as well as Toby Wilkenson’s examination of the consequences of google earth for our relationship to place in a time of google earth. …
Patrick Laviolette (EHI, Tallinn University, hosts of EASA2014)
In terms of providing reflections on the material dimensions of place and landscape, here are some links to what I feel have been amongst the more provocative postings on the blog over the years. Many of the authors to the links below implicitly, or sometimes even explicitly ask: how do we depict our spatial experiences through the digital medium of blogging?
In Feb 2007, Graeme Were put up a piece simply entitled ‘Footpaths‘ by Kate Cameron-Daum. It is an eye-catching post which stirred my own curiosity on methods of walking, particularly in the countryside. Similarly, Peter Oakley’s observations at Tyntesfield house in ‘A Roof with a View‘, reflects upon the postmodern condition of a heritage site standing below some scaffolding.…
Since its inception, Material World has treated museums and archives not only as repositories of material culture, but as material culture–that is, material products as well as producers of culture and social memory. As institutions, they are sites of collection and exhibition, acts that have their own material and materializing dimensions.
Here are some of our favorite posts about museums, exhibitions, archives, and memorials:
Graeme Were reviews the Musée du Quai Branly a year after it opened.
Anna Weinrich examines two permanent museum exhibitions in Australia featuring Aboriginal culture and collections by a foundational anthropologist, testing out the new museology against the politics of Aboriginal voice.
Diana Young discusses her curatorial efforts to enliven museum collections in dialogue with Aboriginal artists.…
Daniel Miller, UCL
Krisztina Fehérváry 2013 Politics in Color and Concrete: socialist materialities and the middle class in Hungary. Indiana University Press
Léna Pellandini-Simányi 2014 Consumption Norms and Everyday Ethics. Palgrave Macmillan
Hungary is a good place to take stock of the current state of material culture studies. Because Hungary is simply a good emblem of `anywhere,’ in that it represents neither a vanguard nor a backwater, but works as simply another ordinary place. That is significant to me because the material culture studies that I guess I have always wanted to promote are precisely about this same ordinary whether as blue jeans, or domestic interiors.
Fehérváry’s exemplary scholarship, both historical and ethnographic, takes us through both socialist modernism and post-socialist consumer modernism in the development of contemporary Hungary.…
In this post, I link to the very best posts in our archive focused on making, doing and craft.
In Fixing, Things, Fixing Ourselves, Lydia Nicholas writes about Suguru, an open source material for extending the life of mass produced (or any other) artifacts.
In Plan B for a Nuclear Reactor, Paul Williams describes the transformation of a nuclear power plant into a heritage site.
Gabriella Coleman outlines her theory of hackers, liberalism, and pleasure, which became an important part of her book, Coding Freedom.
Ian Ewart was an Anthropologist Looks at Engineering.
Adam Drazin presents the Mechanical Postcard, an intervention into UCL Ethnography Collections by Mattijs Siljee, of Massey University, New Zealand.
And on the opposite side of making, unmaking, Helen Polson writes about how Death Bear Wants Your Unhappy Things.…
Haidy Geismar, UCL
In this new series of summer posts, we, the editors look back at the past 8 or so years that Material world Blog has been going and curate a series of “best of” themed post. Here, I link to what I consider to be some of the very best postings about art on the site.
In his post Twenty-Six Gasoline Stations on the Dhaka-Chittagong Highway Christopher Pinney presents a series of his own technicolour photographs, inspired by Ed Rucha’s 1963 series.
Jonathan Patkowski and Nicole Reiner unpack Alfred Barr’s infamous artist network diagram and unpack the neoliberal logics of the avant-garde as presented in the exhibition “Inventing Abstraction“.
Ryan Schram describes the tensions and identity around the speaker of the Parliament of Papua New Guinea trying to destroy the carvings evoking customary art and identity, made upon independence to decorate the new Parliament House.…
Over at the UCL Social Networking Sites and Social Sciences Project, Danny Miller writes about his research at a London hospice where he has been exploring the resonance of new media at the end of life:
Alongside my ethnographic research in The Glades I have now been working for over a year alongside The Hospice of St Francis. When I am in the UK I try to spend a day a week interviewing their patients who are mainly terminal cancer patients. I was delighted to hear this winter that the wonderful hospice director Dr Ros Taylor was awarded an MBE in this year’s honours list. My intention in working for the Hospice was a concern that a project of this size should also have an applied or welfare aspect where we could see the direct benefit.
Haidy Geismar, UCL
In October last year (2013) I posted a draft of an editorial for the Journal of Material Culture which rehearsed some of the options we (the editorial board led by myself and Susanne Kuchler, with guidance from Danny Miller) have been working through regarding taking the journal towards Open Access. The take home message for that piece was that we felt strongly that the current recommendations for open access “compliance” in the United Kingdom were inadequate and inappropriate in terms of their effect upon ideas not just of scholarship, but on scholarly community. The prevailing models in the UK for Open Access, known as Green and Gold, both depend on individuals to decide whether or not their individual articles should be made open access.…