Archive | Conferences and other events

CFP: 4S Conference 2015, Panel on technologies of representation

4S Conference 2015 – Denver, Colorado (USA), 11-14 November 2015

Call for Papers for Open Panel
From one thing to another: Technologies of representation in design and making

Panel Chairs:
Arlene Oak, Department of Human Ecology, University of Alberta (aoak@ualberta.ca)
Claire Nicholas, Department of Human Ecology, University of Alberta (cn4@ualberta.ca)

 

We would like to invite abstract submissions for an open panel at the 4S Conference (Society for the Social Study of Science) in Denver (11-14 November 2015).  The deadline to submit an individual paper abstract to the conference is March 29, 2015.  When you submit on the conference website, you will be prompted to indicate the panel to which you would like to contribute.  Please email Arlene or Claire if you anticipate submitting an abstract.…

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CFP: Interface Conference: Materiality and Movement (Carleton University)

Carleton University’s Interface Conference: Materiality and Movement, 1-3 May 2015

Keynote Speaker: Dr. Laurel Thatcher Ulrich, Harvard University

Made objects, unlike bodies that disintegrate – are trans-temporal. They are mobile and are continually moving across time and space, carrying within them stories and meanings that they have accumulated as a result of this mobility. In an increasingly interconnected world – where the meanings of mediatory agents are endlessly shifting, traveling and transforming – there is a growing need for critical inquiry that concerns the entangled nature of materiality, mediation and mobility. Themes of distance and nearness and the impact of movement on the material will be considered during this conference. Papers, panels or workshops are welcomed that investigate how contemporary and historical circulations of people and things across time and space have meaningful implications within the contexts of both the local and the global.…

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Heidelberg Summer School: Walking the Line – Art of Border Zones in Times of Crisis

Via Christiane Brosius, University of Heidelberg

The Cluster of Excellence “Asia and Europe in a Global Context” welcomes applications for the Summer School “Walking the line – Art of border zones in times of crisis.” It will take place from July 26 to 31, 2015 at Heidelberg University in Germany.

The summer school will engage with the production, circulation and the disruption of art and visual practices as they navigate the (thin) line between creative and destructive impulses in times when wars, struggles for national independence and conflicting ideologies result in border contestations and territorial partitions. These crises produce both immediate and enduring physical, economic and political consequences for persons living within affected regions, including flight from one’s homeland, traumatic histories left unprocessed between generations, and the elaboration of repressive political systems and surveillance.…

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CFP: Ethnographic Apps/ Apps as Ethnography (AAA 2015)

Ethnographic Apps/ Apps as Ethnography: Exploring Possibilities for a Locative, Multimedia and Collaborative Future.
A Panel Proposal for the American Anthropological Association (AAA) Meetings, November 2015

Panel Organizers: Sam Collins (Towson) and Matthew Durington (Towson)

We find it curious that anthropologists have paid relatively little attention to apps.  Yes, there are certainly apps that help in our ethnographic research, as well as apps that have long been utilized by artists, folklorists, community activists and many others to encourage people to “read” and experience space and place in interesting (and even subversive) ways.  But what about apps as part of our research, as, in other words, a form of ethnographic practice?  Apps facilitate embodied ideologies, and they mark the exact point of interpellation where structure and symbol meet practice and bodily hexis.  Apps show how institutions and other powerful agents are trying to structure the meaning of cities by combining mobile media and social media through organizing embodied narrative experiences.  Even when apps reproduce already existing content, they do so by structuring experiences in ways that are illustrative of networked power: the city as a series of connections and disconnections that bring some spaces and meaning together while effectively cutting off vast parts of the city from urban practice.  In other words, apps are technologies of inclusion and exclusion, and following their trail can tell us exactly how things like segregation work in an era of the actor network.…

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Analogue/Digital: Productive Tensions in Materiality and Archaeology

Via Sara Perry’s The Archaeological Eye

I’m so excited to be able to announce a forthcoming roundtable that Colleen MorganLaia Pujol-TostKathryn Killackey and myself are hosting at the European Association of Archaeologists (EAA) conference in Glasgow, 2-5 September, 2015. We would like to extend an invitation for participation to all of you in the archaeology and heritage communities who are grappling with questions around the nature and future of analogue/digital material relations. 

In other words, are you investigating issues at the intersections of the physical and the ephemeral? Are you enrolling digital technologies into the production of tangible experiences, or alternatively, aiming to better understand the digital through tangible forms of interaction? Have you eschewed the digital in favour of analogue engagements in your archaeological/heritage work – or have you rethought the dimensions of one via experimentation with the other?

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Call for Papers Material Culture in Action: Practices of making, collecting and re-enacting art and design

 

DATES: 7-8 September 2015,

 

Keynote speakers:

Prof Guy Julier

Prof Esther Leslie

Ian Helliwell

 

Closing remarks by Prof Tim Ingold

  

Glasgow School of Art, UK

 

This two-day international conference will investigate new directions in material culture studies by focusing on creative, critical and theoretical engagement with the material culture of art and design, both within and beyond the art school. The material culture of art and design covers a wide range of art practices, from professionally designed works within the art school, to the less official works of the self-taught amateur. An emphasis on processes means paying close attention to places of production; from the art school, the studio, the print workshop, the pressing plant, the factory, the street, to the discrete – yet equally significant – realms of domestic life.…

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Open Source Housing Crisis

Context

With a shortfall of 100,000 units per year and a decline in the availability of social tenancies, London’s developers and housing associations add to the already considerable cost of housing by charging for the service of organising groups of people with the common need of accommodation. Those in need are often forced to accept precarious dwelling conditions, in buildings that are poorly designed, cheaply constructed and disadvantageously financed. The political and financial structures, such as the mis-alignment of average wages to the GLA’s interpretations of ‘affordability’ and predominance of insecure tenancies, that fuel London’s housing crisis continue to evolve beneath the radar of public scrutiny.

Action

We are convening a workshop concerned to scope communication technologies with potential to disrupt these conditions.

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CFP: Dressing Global Bodies Conference

The University of Alberta, Department of History and Classics, would like to share the following details of the Dressing Global Bodies Conference Call For Papers:

Dressing Global Bodies:
Clothing Cultures, Politics and Economies in Globalizing Eras, c. 1600s-1900s

7-9 July 2016, University of Alberta, Edmonton, Canada
Co-Organized with the Pasold Research Fund, UK

The clothes on our backs are intimately connected with bodily experiences, cultural, social and gender portrayals, as well as the economies of fashioning and re-fashioning across place and time. Garments reflect the priorities of local and international economies, collective and personal inclinations, religious norms and conversions. These materialities are shaped by global flows of cloth and beads, furs, ready-made and second-hand apparel, in dynamic processes of fashion exchange.…

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Digital Utopias

Digital_Utopias_banner

 

Date: Tuesday 20 January 2015

Time: 10am – 7pm

Venue: Hull Truck Theatre, HU2 8LB

Book your place now

Digital Utopias is a one-day conference which will inspire and incite debate about how new technologies are enabling creativity across the arts. The conference aims to capture topical and diverse approaches to curation, archiving, collecting and creating from a range of art forms, from the visual arts to theatre.

The event will provide an opportunity to discuss new tools and emergent practice, whilst delegates will connect with international arts organisations and specialists in the field to unpick the creative and critical challenges facing organisations today.

Full programme now confirmed

Digital Utopias has an exciting programme that activates various spaces throughout Hull Truck Theatre.…

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20th Anniversary of the ASA Material Culture Caucus: The Video

Since its formation in 1994, the Material Culture Caucus of the American Studies Association (ASA) has bridged the gap between university-based and museum-based scholars to promote the study of material culture in American Studies programs. To celebrate its twentieth birthday, the Caucus sponsored a workshop on Friday November 7, 2014, during the ASA national meeting in Los Angeles.

In the spirit of fun embedded in the conference theme, Debby Andrews, Sarah Anne Carter, Estella Chung, Ellen Gruber Garvey, and Catherine Whalen challenged workshop participants to play a variant of the classic game, “Twenty Questions.” Videographer Mark Escribano documented the event. To see how the workshop played out, and how such questions can inspire object-based exercises in the classroom or the museum, follow these links:

Watch the Twenty Years, Twenty Questions to Ask an Object video here

Read the Twenty Questions here

The Material Culture Caucus organizers wish to encourage participation in the 2015 Annual Meeting: “The (Re)production of Misery and the Ways of Resistance,” October 8-11, 2015, Toronto, Canada.…
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