An event with Professor Anthony Shelton
Thursday 21 May 2015, 6pm, Room G01, School of Arts, Birkbeck, University of London, 43 Gordon Square, London WC1H 0PD
Between the 1920s-1950s, rural popular art became an important part of the government-sponsored re-creation of Portuguese national identity and history. Books and articles were written about popular art, films were produced on it and domestic and international exhibitions displayed it, creating a particularly Portuguese ‘taste’ that hid the dire conditions of poverty, suffering, and illiteracy that characterized many of its rural provinces. Sixty-five years later, UBC MOA (Museum of Anthropology) will open a major exhibition on Portuguese popular art. This talk will discuss the complex mixture of ideologies and philosophies, which underlie the representation of popular art and national identity during the dictatorship (Estado Novo), its re-accommodation after the establishment of democracy in 1974, and the challenges of curating an exhibition that deals with historical imaginations.…
by Corinne A Kratz, Emory U
The online archive of Ivan Karp’s published papers has moved and gotten a new look! Emory University launched the popular online archive in 2012 in order to keep Karp’s (1943–2011) work widely available. Karp was a social anthropologist and a leading scholar of social theory, museum and heritage studies, and African studies. He began his long-term research with Iteso communities in western Kenya in 1969. Karp wrote extensively about power, personhood and agency, about African societies and systems of thought, and he published groundbreaking work about museums and exhibitions.
The updated Ivan Karp Archive includes new photos and links and a new homepage design. The archive organizes Karp’s papers thematically, with sections devoted to Social Theory and African Systems of Thought; Museums, Exhibitions and Public Scholarship; African Philosophy; and the Iteso People of Kenya.…
This month, the Guggenheim Museum is proud to donate 100 images of artworks to Wikipedia, including selections from the museum’s collection by Edgar Degas, Paul Klee, and Vincent van Gogh. Join us at the Guggenheim to add information about these artworks and artists to Wikipedia, the world’s largest free source of knowledge.
The event is an opportunity to explore the history of the Guggenheim’s collection, the impact of these works within the artistic movements of their time, and their legacy and influence on future artists. Using these 100 images as a starting point, we invite you to help enhance the scholarship and understanding of key artists and works in the museum’s collection.
The program will begin with an overview of the Guggenheim’s founding collection and its development by Natalia Lauricella, Curatorial Assistant, Collections and Exhibitions, followed by a presentation by Wikimedia NYC president Richard Knipel about the impact of donating images of artworks to Wikipedia.…
Via Felix Driver, Royal Holloway
May 19, 2015
World Museums: Geographies and Genealogies
Institute of Historical Research, Senate House, 5.15pm
Anthony Shelton, Director of the Museum of Anthropology and Professor of Anthropology, University of British Columbia, Vancouver, Canada
Annie E. Coombes, Professor of Material and Visual Culture & Director of the Peltz Gallery, Birkbeck, University of London.
This HARC Dialogues event will focus on the idea of the world museum, as expressed originally in the concept of the universal or encyclopaedic museum, and reinvented for the twenty-first century in museums of world cultures: the world, its peoples and their objects, brought under one roof. What does it mean to define the remit and audiences of museums as global? Does it matter where museums are located?…
The MicroPasts project, an AHRC collaborative UCL-British Museum Project, uses web-based technologies to foster collaborations between researchers based in higher education and heritage institutions and members of the public to study the human past. Together, the project team has created new open archaeological data via crowdsourcing (crowdsourced.micropasts.org) and arranged the micro-financing of community archaeology and community history projects (crowdfunded.micropasts.org).
The MicroPasts end of first phase funding conference will be held at the Royal Geographical Society on the 31st March 2015. We look forward to welcoming you and tickets can be purchased online or via contacting us directly. The conference programme has now been finalised and features some very interesting speakers as shown below. Lunch is provided in the ticket price and there will be some free things to take away (apart from the knowledge shared) and we hope to film the speakers.…
Haidy Geismar, UCL
As I’m sure you are all aware, last week Vanuatu was devastated by Cyclone Pam, battering the country with winds of over 270 mph. The storm knocked out the country’s telecommunications and transport infrastructure and now, just a few days later, it is estimated that more then 70% of the population are left homeless, without adequate drinking water, and without food. The long term prospects for food security are also bad as most of the garden crops that people live off have been destroyed. President Baldwin Lonsdale has announced that the storm had “wiped out” recent development and that “everything” would have to be rebuilt.
Vanuatu is the place that I have worked as an anthropologist since 2000. The places I have worked – Port Vila, Malakula, Ambrym – via the networks set in place by the Vanuatu Cultural Centre have all been either badly damaged or destroyed.…
Two Lecturers in Art Gallery and Museum Studies at the University of Leicester
Departmental Lecturer in Visual, Material and Museum Anthropology, Oxford University
Applications are invited for a Departmental Lecturer in Visual, Material and Museum Anthropology (VMMA) effective from 14 September 2015 to 30 June 2016. The post is part time (18.75 hours per week) based at the School of Anthropology, Banbury Road, Oxford. The role is needed for a limited time to provide cover for the teaching and administrative commitments of Professor Clare Harris who holds a Leverhulme Fellowship for this period.
The primary function of this post is to engage in teaching, examining and supervision for both undergraduates and the graduate programmes in VMMA. The School is seeking an inspirational teacher with both breadth and depth of knowledge of the key subject area of the post and a full command of the relevant literature.…
The Quest for the Good Life in Precarious Times: Grassroots perspectives on value in the 21st century
Manchester, The Martin Harris Centre, 24th – 26th March, 2015
The event is hosted by the ESRC-funded research project The Domestic Moral Economy: An ethnographic study of value in the Asia Pacific. Over two days five research teams with overlapping inquiries will meet and present papers. For full programme, descriptions of the projects and registration details, see our website thequestforthegoodlife.wordpress.com
The conference begins at 4:30pm Tues 24 March, with a pre-conference seminar on Democratising the Study of Economics lead by five members of Manchester’s Post Crash Economics Society, chaired by Professor John O’Neill.
It ends at 5:30 Thurs. 26 March in a round table discussion on the conference theme chaired by Chris Gregory with the PIs of the five projects; Chris Hann, Susana Narotzky, Niko Besnier, Deborah James, Karen Sykes, and Jane Guyer.…
March 9 through March 22
Arnold and Sheila Aronson Galleries, Sheila C. Johnson Design Center
66 Fifth Avenue New York, NY 10003
Much of our common stock of knowledge — from the inscriptions of early civilizations, the classic texts of the ancient world, the manuscripts of the Middle Ages, and the maps and scientific treatises of the Renaissance, to the tweets and open data sets of today — now resides in The Cloud. That Cloud seems to have no boundaries, no place; it floats above us, bringing its intellectual riches to those of us who are connected to it, wherever we might be. Yet The Cloud isn’t nearly as ubiquitous as the weather. Its accessibility is limited by protocols and cables, and its “content” has to be shaped, formalized through various interfaces, in order for us to perceive and process it.