Archive | Announcements and Listings

London Conference in Critical Thought – Call for Stream Proposals

UCL, University of London, 26-27 June 2015

Call for Stream Proposals

We’re pleased to announce that LCCT 2015 will be hosted by the UCL department of Anthropology and supported by the UCL Joint Faculty Institute of Graduate Studies, the UCL department of Geography and the London Contemporary Dance School.

The call for streams is now open for the 4th annual London Conference in Critical Thought (LCCT). The conference is a space for those who share theoretical approaches and interests, but who frequently find themselves at the margins of their department or discipline. LCCT is an inter-institutional, non-hierarchical, and accessible event which makes a particular effort to embrace emergent thought and foster new avenues for critically orientated scholarship and collaboration.

There is no pre-determined theme for the conference.…

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Mellon Emerging Curatorial Postdoctoral Fellowship (Asia), UBC

The Museum of Anthropology (MOA) and the Department of Art History, Visual Art and Theory (AHVA) at the University of British Columbia invite applications for an Emerging Curatorial Postdoctoral Fellowship with a focus on Asia to begin May 1 or June 1, 2015. The fellowship, funded by the Andrew W. Mellon Foundation, is open to recent doctoral graduates for one year, with possibility of renewal for another year. Salary for this position is expected to be $45,000 per year plus benefits, but may vary, commensurate with qualifications and experience.  In addition, the postdoctoral fellow will be provided with some travel/research funds. This position is subject to final budgetary approval.

This postdoctoral fellowship opportunity will afford a unique curatorial and research experience for an emerging curator, providing him/her with invaluable, hands-on curatorial experience.…

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Civilisation, Infrastructure and the City

Friday 7th Nov, 9:45-15:00
UCL Taviton 433, 16 Taviton Street, London WC1H 0BW

civcity.wordpress.com/

The world is concurrently urbanising and digitising, and both phenomena are routinely admitted amongst the most important drivers of change in the 21st century. Yet, how do processes of urbanisation and digitisation affect the creation and perpetuation of everyday local culture? Are they mechanical drivers which deterministically imprint themselves on society or is the question of their efficacy a more complicated matter?

 This one-day workshop will explore these questions, contextualising them with recent research from the field. Held with the generous support of the UCL Centre for Research into the Dynamics of Civilisation (CREDOC), it will bring together researchers from the fields of urban studies, human geography, digital anthropology, finance and ICT for development. The workshop will be held at UCL on November 7th.

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Cultures of Mending: A collaborative workshop

Mending is a multifaceted practice.  It has long-established roots spanning centuries of human productive effort.  Today it is experiencing a revival as a result of grassroots innovation movements and initiatives which seek to foster repair, re-use, upcycling and other creative forms of waste prevention.

Whilst it may be argued that mending practices never went away for some (Bond et al. 2013; Hackney 2013), in recent decades they have largely been marginalised by more spectacular and conspicuous forms of contemporary consumption, leisure and/or domestic practice, as well as the widespread acceptance of product ‘disposability’ (Cooper 2005; van Nes 2010).  Yet – and partly as a direct response to the phenomena of premature product obsolescence – an enthusiastic minority has remained committed to the political potential of mending as a critique of capitalist society (e.g.…

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Call for Papers: Photography in Print

Via Prof. Elizabeth Edwards, De Montfort University
22-23 JUNE 2015
Photographic History Research Centre De Montfort University, Leicester, UK

The 2015 PHRC Annual International Conference will address the complex and wide range question of ‘photography in print.’ The conference aims to explore the functions, affects and dynamics of photographs on the printed page. Many of the engagements with photographs, both influential and banal, are through print, whether in newspapers, books, magazines or advertising. We would like to consider what are the practices of production and consumption? What are the affects of design and materiality? How does the photograph in print present a new dynamic of photography’s own temporal and spatial qualities? In addition, photography can be said to be ‘made’ through the printed page and ‘print communities’.

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Museums at the Crossroads: Local Knowledge, Global Encounters May 14-21, 2015

Via Jason Jackson, Mathers Museum

The Indiana University Mathers Museum of World Cultures and School of Global and International Studies invite applications for up to eight Museum Partners who will take part in an innovative international workshop on the future of museums of culture and history. The call for applications for Museums at the Crossroads: Local Knowledge, Global Encounters closes November 15, 2014.

Across the world, as academically based scholars of social and cultural theory graft new shoots onto the older disciplinary roots of their work, their counterparts in the museum are drawing new meaning from the artifacts and images that fill their galleries and storerooms. This project leverages Indiana University’s resources in both humanities scholarship and museum practice to bring those groups together-marrying global theorists with practitioners of learning in localized, sensory environments, and asking what each can teach the other about the ties that join world cultures.…

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Survivor Objects

“Survivor Objects” considers the meanings of material objects that have been tempered by trauma. By bearing historical witness, such objects can come to hold a privileged place in cultural memory and, as a result, play a powerful role for present-day communities. The symposium features faculty, graduate students, curators, and conservation specialists from across the country.  Please see the full program for panel and paper topics.

Details are available on the website

 …

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CALL FOR PAPERS: The Craft Museum: Ideals and Practice

March 13, 2015, Smithsonian American Art Museum, Washington, DC

Keynote: Sir Christopher Frayling, former Rector, Royal College of Art

Paper submissions from senior and emerging museum professionals, scholars, and educators are invited for this symposium, which will examine the role of the craft museum in modern culture. Coinciding with the renovation of the Renwick Gallery, the Smithsonian’s national craft museum, this program seeks a lively dialogue on craft’s institutional mission, and the execution of programming devoted to the collection, conservation, presentation, and study of craft. The issue of how to interpret the field of craft in a museum setting is increasingly urgent as the boundaries of its teaching, practice, reception, and the discipline’s very definition shift dramatically in the first quarter of the 21st century.…

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RAI Horniman Museum Collecting Initiative (2014-2015)

As part of Collections People Stories: Anthropology Re-Considered, an Arts Council England (ACE) funded project taking place at the Horniman Museum, 2012-2015, we are seeking PhD Students or Postdoctoral Fellows, who plan to carry out fieldwork in 2014-2015 to make small collections for the museum.

Deadline: 30 September 2014

Collections People Stories: Anthropology Re-Considered is undertaking a detailed review and documentation of the Horniman’s Anthropology collections, highlighting the range, scale and importance of both its stored collections and those on display. The project sets out to investigate new and innovative ways of collections research, engagement and interpretation. It will facilitate academic and community consultation and debate, to both unpack the legacy of the anthropology collections and unlock their values for communities and visitors today.…

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Copies, Copyright and Preservation

Special Issue co-edited by Ines Weizman and Jorge Otero-Pailos

Future Anterior invites essays that explore the relationship between copyright and preservation from a historical, theoretical and critical perspective. Both copyright and preservation laws are aimed at protecting unique human achievements, but they point to different, even opposing threats. Whereas copyright is meant to protect private interests from public encroachments, preservation mostly aims to safeguard the public interest against private forces. But as the categories of private and public are redrawn under the pressures of globalization, what challenges and opportunities lay ahead for preservation?

Both preservation and copyright law attempt to answer a basic question: Who has the right to make a copy? This question has a long but unexplored history within preservation.…

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