Author Archive | Pauline Destree

Ain’t no Jaguars in Ghana’s urban jungle: luxury and the postcolonial bizarre

Osu Accra

Sipping my morning coffee in the corrosive speech of Bernard Avle, the radio host of Accra’s Citi FM Breakfast Show – a deliciously satirical commentary on salient socio-economic issues in Ghana –, I find my daily dose of morning chuckling interrupted by the conversational attempts of a friendly French tourist (hereafter Mister F). Having recently arrived in Accra with a defective mobile phone, Mister F paid an obligatory visit to the Vodafone center in Osu – a rich district in central Accra organized around the aptly-named Oxford Street, bordered by air-conditioned shops and expensive restaurants. Complaining of his dislike for Osu, Mister F describes the exotic vision of Jaguars swishing past shaky street shacks; puzzled eyebrows, offended smile, he bitterly whispers: “Two Jaguars driving by, it’s just a bit, a bit, bizarre, isn’t it?”

Isn’t it indeed.…

Continue Reading

Exhibit B

Probing further: the untormented “white body”

Exhibit B

Protesters gather at the Vaults Gallery during a rally that led to Exhibit B by South African artist Brett Bailey being cancelled. Photograph: Thabo Jaiyesimi/Demotix/Corbis

How does one review an exhibition that has been banned from public view? The censorship of Exhibit B earlier this year in London constitutes yet another interesting visual and performative episode in Brett Bailey’s controversial saga currently touring Europe, as his ‘tableaux vivants’ or living displays of black performers in various scenes (supposedly) representative of slavery and colonialism gave rise to impassioned protest and resulted in its closure.

What this controversy reveals for critique, more than it has censored for content, is the problematic format of performance in today’s art scene.…

Continue Reading

Powered by WordPress. Designed by Woo Themes