Intel’s resident cultural anthropologist, Dr. Genevieve Bell, was recently featured in an article, “Intel’s Sharp-Eyed Social Scientist” in the New York Times. The article traces some of the findings and insights from Bell’s 16 years at Intel, including a study of how people use technology in their car which will be of interest to material culture studies and STS scholars. Her video interview with Sydney Morning Herald, A Moment with Genevieve Bell, also features some of her recent work in Australia on people’s everyday relationships with sheds.
March 13-16, 2014
University of North Carolina, Chapel Hill
Submission Deadline: Friday, 15 November, 2013
Music flows. Evocative metaphorically while directing our attention to the global circulation of songs, the theme for the 2014 IASPM-US Annual Conference takes its inspiration from the UNC campus-wide Water initiative. Water in its many forms is a ubiquitous subject of pop songs. Whether as metaphor or literal reference, water imagery as a theme in popular music has been used to celebrate identity, express emotions, address environmental issues, convey pleasure, pay homage to spiritual beings, and shape communities of resistance. Here we take up notions of fluidity and flow to address not only what many deem our most important natural resource, but to consider the ways in which water’s qualities may yield productive insights into the present and future of popular music.
Fluidity suggests smoothness and flow, as well as uncertainty, indefiniteness, and mutability. This tension is felt across global capital, ecology, and the business of music, as money, energy, and sounds flow around the world, their movement unevenly enabled and restricted by a range of economic, political, and cultural forces. From the licit or illicit circulation of songs to the melting of glaciers, popular music – and the world in which it exists – faces a future in which the status quo is quite literally in flux. With seemingly solid foundations melting away, we face a moment of productive instability, in which new potentialities emerge even as life as we know it may be dramatically transformed.
The 2014 IASPM-US Annual Conference will take place from March 13-16, 2014 at the University of North Carolina, Chapel Hill. The Center for the Study of the American South (CSAS) will be our host on campus, in collaboration with the Department of Music and the Southern Folklife Collection. Papers related to popular music and southern culture are especially welcome. Look for a featured panel on southern music and enjoy a lively reception hosted by the Center.
Papers may focus on one of the following aspects of the theme, on other aspects of the conference theme, or – as always – any other issue in the study of popular music.
The first APERTURE Festival will be held in Melbourne, 21-23 November 2013. APERTURE Asia Pacific International Ethnographic Documentary Festival aims to promote and support ethnographic documentary film about the Asia Pacific region and film directed or produced by filmmakers originating from this region.
Ethnographic film festivals are almost not existing in this region, with the exception of two events in Taiwan and Vietnam. Ethnographic film festivals elsewhere in the world, along with similar events attached to anthropology conferences, present mainly films made by European and American filmmakers, and most of their work does not focus on the Asia Pacific cultures and societies. Filmmakers originating from the Asia Pacific region are grossly underrepresented, also because the cost of travel and other accessibility issues.
APERTURE aims to provide an accessible event within the region, for the region’s local filmmakers as well as for all filmmakers worldwide whose work is about the Asia Pacific region. The festival will also welcome proposals from local filmmakers in this region who have made ethnographic films about cultures and society located in other parts of the world (not the Asia Pacific) providing their work features an Asian Pacific ethnographic perspective. APERTURE thus will offer a platform that promotes documentaries on Asia Pacific cultures and society, and provide emerging filmmakers from this region the opportunity to be screened internationally and network with other filmmakers and potential producers and distributors.
The first APERTURE Festival will be held in Melbourne, 21-23 November 2013. While this first edition will invite submission for ethnographic film-documentaries, the aim is to open the following editions also to photo-documentary projects to be displayed during the film festival. As one of the key aims of the project is to educate about and promote the culture of the Asia Pacific region, attendance to the festival will be free and open to the public.
Future festivals could be held in major cities in the Asia Pacific region by rotation or continue in Melbourne, depending on sponsorships and partnerships. If you are interested to host a travelling APERTURE event or future editions, please get in touch with us!
The focus on Asia Pacific cultures and filmmakers makes this an innovative and unique festival that has not been previously offered in any other country in the region.
Dr. Erminia Colucci
Centre for International Mental Health
School of Population and Global Health
The University of Melbourne
Phone: +61 03 90353082
By Marta Vilar Rosales
Centre for Research in Anthropology, Faculty of Social Sciences and Humanities, UNL, Portugal
The project “Atlantic Crossings: materiality, contemporary movements and policies of belonging” is a quest to follow the objects in particular, and “things” in general. From surveys in Lisbon, Oporto, São Paulo and Rio de Janeiro to ethnographies of transnational families spanning these contexts, the project will unpack the lived experiences of Brazilians and Portuguese circulating between their respective home countries. The goal is to understand the difference materiality makes in dynamics of international mobility. Instead of asking “what’s in a name”, we ask “what about what’s in a suitcase?” And, for that matter, what’s in the packages sent from home? What will be bought with remittances money? What will be acquired and fashioned to decorate one’s new home? In short, the project explores how “things” can frame, organize and produce social reality in the specific context of international mobility.
The routes, temporalities and patterns underlying the traffic and appropriation of objects compose the lens from which to take a fresh look at the lives of the people in question. The moment in time is of the essence, as clearly reflected by the coverage of the flows of people and capital connecting both countries in their respective national media. The current economic crisis, and subsequent soaring unemployment rates in Portugal, hit the most qualified population the country has ever had. In turn, Brazil attracts attention because it has been emerging as an economic player that is looking to enhance the labour market through recruitment of specialized workers. Furthermore, it will be holding main sports events in the next few years (namely, the World Cup in 2014 and the Olympics in 2015), which promise work opportunities. The story, however, is not that simple. Massive protests concerning, in part, these very sports’ events have recently startled policy makers and have been ushered the world to pay attention. Moving across the Atlantic to try one’s chances in a rather hermetic labour market is also not the most affordable option either. Some Portuguese are indeed managing to get their qualifications recognized. They are the ones feeding the narratives of successful emigration both through interpersonal social networks and through “Portuguese across the World” -like shows in mainstream media.
Yet, in truth, little is known about Portuguese abroad since the country became an immigration context in the late 70s – researchers focused on the transformations taking place within borders. It is still unclear how the current moment features in the long-standing, inter-connected histories linking the two Portuguese-speaking countries. How the post-colonial relationship re-articulated in the 21st century? More concretely: what consumption habits change when Portuguese engineers, architects and managers have to cope with living in extremely expensive cities? What do unemployed construction and domestic services’ workers who reach their limit bring home when s/he wants to impress friends and family (and keep some of Europe with him/her) but there is little s/he can afford? What business strategies do entrepreneurial Brazilian beauticians take in order to endure the crisis and keep alluring customers to strive for a Brazilian-like body? How do the material surroundings of Portuguese men who find themselves in the small hometowns of their Brazilian wives, whom they met in Portugal, change their view of Brazil – and of their own life-projects? How do the Portuguese wives who travel on the work visas of their husbands reinvent their daily routines, and the rules of conduct they teach their children, in cities that are often talked about as very dangerous in Portugal? We’re counting on “things” to tell the stories.
American Anthropological Association Meetings 2013
Chicago, Illinois USA
Sunday, November 24th, 10 am – 1 pm
Crucial infrastructures in North America have begun to reach the ends of their lifespan, with malfunctions and their effects increasingly commanding public and political attention. Our installation draws on a burgeoning conversation in anthropology on infrastructure, while emphasizing its aesthetic and material dimensions alongside its practical and functional ones.
This two-part “installation” consists of a tour of infrastructure on Chicago’s mid South Side (sites tbd), followed by lunch and informal discussion at New Projects space (www.new-projects.org). All sites are accessible by CTA transit. Reservations kindly requested by November 1st for details and 2 short discussion texts. Participants are welcome to join after this date, but must contact organizers for location details. Marina Peterson: email@example.com
Sponsored by SUNTA/ SANA
A recent article, courtesy of Raymond June (@raymondjune), on a new effort in South Australia Museum which archives and makes accessible 30,000 artefacts of aboriginal material culture in Australia. To learn more about this ambitious new exhibition, read the article here.
How is money more than mere container and conveyor of value?
What happens to money we destroy, alter, or simply stop using?
How do the materials and the making of money matter?
Artists and craftspeople are highly attuned to these questions of money, aesthetics, and exchange. Political cartoonists offer direct commentary on the dramas of money; conceptual artists play with money’s materials and meanings through theory and technique; non-Western valuables make apparent the close connection between the making of objects and the making of value. This exhibition includes installations made of out of circulation Mexican bills by Argentine artist Máximo González; the art of trompe l’oeil painter G.B. Tate and others; as well as a variety of money and non-Western valuables. Figuring Exchange presents this assemblage of objects to explore the diverse perspectives they offer on questions of materiality, value, and exchange, and to reflect on money’s making, meanings, and artful transformation.
The Claire Trevor School of the Arts, and the Institute for Money, Technology & Financial Inclusion in the School of Social Sciences proudly feature Argentine artist Máximo González during an opening reception.
Date: October 14, 2013
Location: Outreach Gallery, Rm 3100A, Contemporary Arts Center, Claire Trevor School of the Arts, University of California Irvine
Digital Ethnography Research Centre, School of Media and Communication and the Centre for Urban Research (Beyond Behaviour Change research program), School of Global, Urban and Social Studies, RMIT University
The Inhabiting Buildings project adopts an innovative participatory research methodology to map and promote change in the RMIT community to improve sustainability. It focuses on everyday social practices within the built environment to understand how resources are consumed, what role buildings and technologies play in shaping these processes, and where opportunities exist for social, cultural and organisational change.
Two PhD scholarships (projects 6 and 7) are available for humanities/social science students working under the supervision of A/Professor Tania Lewis and Dr Yolande Strengers as part of the RMIT Greener Government Buildings programme. More information can be found at www.rmit.edu.au/scholarships/ggb. Also see the project description below. Note the closing date for applications is 31 October 2013.