Via Sara Perry’s The Archaeological Eye
I’m so excited to be able to announce a forthcoming roundtable that Colleen Morgan, Laia Pujol-Tost, Kathryn Killackey and myself are hosting at the European Association of Archaeologists (EAA) conference in Glasgow, 2-5 September, 2015. We would like to extend an invitation for participation to all of you in the archaeology and heritage communities who are grappling with questions around the nature and future of analogue/digital material relations.
In other words, are you investigating issues at the intersections of the physical and the ephemeral? Are you enrolling digital technologies into the production of tangible experiences, or alternatively, aiming to better understand the digital through tangible forms of interaction? Have you eschewed the digital in favour of analogue engagements in your archaeological/heritage work – or have you rethought the dimensions of one via experimentation with the other? How are you materialising digital practices? And how is our very conception of materiality being reconfigured (or not) by analogue/digital innovation?
We seek reflections on how physical materials and digital materials are shaping one another, how these intersections are altering the unique dimensions of each, and how such work is shifting (or solidifying) human understandings of the ‘real’, the ‘thing’, the ‘fact’, presence, embodiment and knowledge-making more generally.
Given that archaeologists are understood as the experts on material culture and materiality, we want to dissect and anticipate how we contribute to conceptual and methodological discussions about the context of, continuities between, and technological changes to physical and digital artefacts.
We are in the distinctive position of being able to extend our roundtable beyond the bounds of the EAA, to engage the wider anthropological community prior to the conference. In August, selected short position papers will be posted on Savage Minds, the eminent anthropology blog, to establish and foment a broader discussion regarding existing and emergent media in archaeological interpretation. More detail on the nature of the position papers and their dissemination through Savage Minds will be circulated to participants following confirmation of your contribution to the roundtable.
Conference participation MUST be confirmed by 16 February, 2015, at the EAA Glasgow website: eaaglasgow2015.com/
For questions, email email@example.com
Roundtable Title: Analogue/Digital: Productive Tensions in Materiality and Archaeology
Due Date: February 16, 2015
As we integrate digital workflows into every aspect of archaeological methodology, it is increasingly apparent that we are all digital archaeologists (Morgan and Eve 2012). Yet archaeology has a long, productive and unfinished history with “analogue” media. Illustration, photography, dioramas, casts, paper-based maps, diagrams, charts and artistic renderings have all been – and continue to be – used to interpret and present archaeology to specialist and general audiences. Walter Benjamin argued that reproductive media destroys the “aura” of traditional artistic media (1968), and it has since been argued (Bolter et al. 2006) that digital media perpetuates a permanent crisis of this aura. As the premiere scholars of materiality, archaeologists can contribute to discussions of the context of, continuities between, and technological changes to these media artefacts. In this session we ask, in what ways are we using the digital in constructive interplay with the analogue? What can digital affordances reveal about analogue methodologies, and vice versa? And how are we pushing beyond skeuomorphic archaeological recording and rethinking the possibilities of media artefacts overall? We aim here to prompt reflective debate about, and speculative design of, the future of analogue/digital experimentation.