Via Prof. Elizabeth Edwards, De Montfort University
22-23 JUNE 2015
Photographic History Research Centre De Montfort University, Leicester, UK
The 2015 PHRC Annual International Conference will address the complex and wide range question of ‘photography in print.’ The conference aims to explore the functions, affects and dynamics of photographs on the printed page. Many of the engagements with photographs, both influential and banal, are through print, whether in newspapers, books, magazines or advertising. We would like to consider what are the practices of production and consumption? What are the affects of design and materiality? How does the photograph in print present a new dynamic of photography’s own temporal and spatial qualities? In addition, photography can be said to be ‘made’ through the printed page and ‘print communities’.… Continue Reading
The Indiana University Mathers Museum of World Cultures and School of Global and International Studies invite applications for up to eight Museum Partners who will take part in an innovative international workshop on the future of museums of culture and history. The call for applications for Museums at the Crossroads: Local Knowledge, Global Encounters closes November 15, 2014.
Across the world, as academically based scholars of social and cultural theory graft new shoots onto the older disciplinary roots of their work, their counterparts in the museum are drawing new meaning from the artifacts and images that fill their galleries and storerooms. This project leverages Indiana University’s resources in both humanities scholarship and museum practice to bring those groups together-marrying global theorists with practitioners of learning in localized, sensory environments, and asking what each can teach the other about the ties that join world cultures.… Continue Reading
This critical examination of the 2013 double issue of Museum Anthropology Review (MAR), entitled “After the Return: Digital Repatriation and the Circulation of Indigenous Knowledge,” (volume 7, numbers 1-2) was written by our spring 2014 class on the Anthropology in and of Museums, as part of the Museum Studies MA Program at New York University. Contributors included Brittany Darrow, Christina Fernandez, Mary Kate Gliedt, Houda Lazrak, Jacqueline Masseo, Maria Montenegro, Edward Ovadek, and Laura Williams; and the project was overseen by our professor, Dr. Sabra Thorner (who facilitated class discussion on the journal issue and its broader context in Anthropology and Museum Studies, and had a final editorial role over the contents). We’d like to collectively thank Barbara Mathé, Museum Archivist and head of Library Special Collections at the American Museum of Natural History (AMNH) in New York, who planted the seed for this idea and participated actively in several conversations about this issue’s contents and significance; and Jim Enote, Director of the A:shiwi A:wan Museum and Heritage Center at Zuni, New Mexico, who was a guest speaker in our class during the process.… Continue Reading
I’ve been working on a paper for a workshop on “Transforming data: drawing otherness into data debates” next week. I will be talking about one of my current research projects, Te Ara Wairua – Pathways of the Intangible. In collaboration with Kura Puke and Stuart Foster of Massey University and Te Matahiapo Research Organization in Aotearoa New Zealand we have been exploring how digital technologies can connect to a Maori Korowai (cloak) held currently in the UCL Ethnography Collections.
Together we are developing a critical perspective on the ways in which digital technologies can, or cannot, be used to connect communities to far away collections. We all have different interests and investments in the project, and these have generated different research questions.… Continue Reading
“Survivor Objects” considers the meanings of material objects that have been tempered by trauma. By bearing historical witness, such objects can come to hold a privileged place in cultural memory and, as a result, play a powerful role for present-day communities. The symposium features faculty, graduate students, curators, and conservation specialists from across the country. Please see the full program for panel and paper topics.
March 13, 2015, Smithsonian American Art Museum, Washington, DC
Keynote: Sir Christopher Frayling, former Rector, Royal College of Art
Paper submissions from senior and emerging museum professionals, scholars, and educators are invited for this symposium, which will examine the role of the craft museum in modern culture. Coinciding with the renovation of the Renwick Gallery, the Smithsonian’s national craft museum, this program seeks a lively dialogue on craft’s institutional mission, and the execution of programming devoted to the collection, conservation, presentation, and study of craft. The issue of how to interpret the field of craft in a museum setting is increasingly urgent as the boundaries of its teaching, practice, reception, and the discipline’s very definition shift dramatically in the first quarter of the 21st century.… Continue Reading
As part of Collections People Stories: Anthropology Re-Considered, an Arts Council England (ACE) funded project taking place at the Horniman Museum, 2012-2015, we are seeking PhD Students or Postdoctoral Fellows, who plan to carry out fieldwork in 2014-2015 to make small collections for the museum.
Deadline: 30 September 2014
Collections People Stories: Anthropology Re-Considered is undertaking a detailed review and documentation of the Horniman’s Anthropology collections, highlighting the range, scale and importance of both its stored collections and those on display. The project sets out to investigate new and innovative ways of collections research, engagement and interpretation. It will facilitate academic and community consultation and debate, to both unpack the legacy of the anthropology collections and unlock their values for communities and visitors today.… Continue Reading
Theodoros Kyriakides (a doctoral candidate in the anthropology of illness at the University of Manchester) provides a blog review for Savage Minds of the recent 13th Biennial EASA conference, held at Tallinn University in Estonia from 31 July to 3 August.
Over at the Allegra site, one can find some recent interviews with EASA President Noel Salazar as well as the co-chairs of the conference’s scientific committee, Carlo Cubero and Patrick Laviolette. A visual archive of the conference has also been collated.
Since the Material World Blog began, the digital media landscape changed dramatically. In social media terms, we have moved from Friendster, MySpace and Orkut to Facebook, Twitter, Instagram and WhatsApp, with a range of other digital, mobile and social media becoming embedded within many people’s everyday lives around the world. These transformations resulted in an increasing number of posts that explored the changing relationships with digital media and made visible the materiality of the digital worlds. In my review of the best of digital media on Material World Blog, five key themes emerged.
(1) The first theme clusters around questions of place and materiality with the growth in digital media. These include Jean-François Blanchette’s wonderful post analysing bits and the software history as well as Toby Wilkenson’s examination of the consequences of google earth for our relationship to place in a time of google earth. Graham H.… Continue Reading
Patrick Laviolette (EHI, Tallinn University, hosts of EASA2014)
In terms of providing reflections on the material dimensions of place and landscape, here are some links to what I feel have been amongst the more provocative postings on the blog over the years. Many of the authors to the links below implicitly, or sometimes even explicitly ask: how do we depict our spatial experiences through the digital medium of blogging?
In Feb 2007, Graeme Were put up a piece simply entitled ‘Footpaths‘ byKate Cameron-Daum. It is an eye-catching post which stirred my own curiosity on methods of walking, particularly in the countryside. Similarly, Peter Oakley’s observations at Tyntesfield house in ‘A Roof with a View‘, reflects upon the postmodern condition of a heritage site standing below some scaffolding.… Continue Reading