Exploring Digital-Visual Anthropological Research Methods: www.photoblogiran.com

[This is an invited post from a PhD student working at Oxford University, accompanied by a series of comments about visual methods from PhD students working at UCL]

Shireen Walton, PhD candidate in Anthropology, Institute of Social and Cultural Anthropology, University of Oxford

shireen.walton@sant.ox.ac.uk

Oxford Digital Ethnography Group (OxDEG)/www.facebook.com/groups/OXDEG/

 

In June 2013, after nine months of ethnographic fieldwork researching Iranian popular photographic practices in Iran, the UK and online, my principal participants (Iranian photobloggers, based inside and outside of Iran) and I discussed the idea of co-curating a digital photography exhibition of their work. The idea of developing an innovative, site-specific methodology emerged during the research process, but seemed appropriate given that a) it reflected what photobloggers do – they create digital exhibition spaces in the form of photoblogs to share their photographs with viewers across the world – and b) it would establish a relevant digital environment in which to participate and observe their practices.…

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Exhibit B

Probing further: the untormented “white body”

Exhibit B

Protesters gather at the Vaults Gallery during a rally that led to Exhibit B by South African artist Brett Bailey being cancelled. Photograph: Thabo Jaiyesimi/Demotix/Corbis

How does one review an exhibition that has been banned from public view? The censorship of Exhibit B earlier this year in London constitutes yet another interesting visual and performative episode in Brett Bailey’s controversial saga currently touring Europe, as his ‘tableaux vivants’ or living displays of black performers in various scenes (supposedly) representative of slavery and colonialism gave rise to impassioned protest and resulted in its closure.

What this controversy reveals for critique, more than it has censored for content, is the problematic format of performance in today’s art scene.…

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The Power of Print

When Philae phoned home to Earth a couple of weeks ago, the world cheered. The European Space Agency (ESA) had achieved an amazing first in space exploration – landing a robotic lander on a comet! A comet! However, the cheers became somewhat subdued within hours of the landing, all because of a shirt. The print of a shirt, to be exact.

London native Dr. Matt Taylor, ESA Project Scientist, sparked a social media storm with his apparel during a media briefing on that historic 12th of November.

 

 

Women, and men, from all backgrounds and professions took to Twitter in outrage at Taylor’s shirt, citing the shirt as sexist and perpetuating the glass ceiling for women in STEM fields.…

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Disobedient Objects

Hannah Knox, Lecturer in Digital Anthropology and Material Culture, UCL Anthropology

Zapatistas. Attribution: Nathan Gibbs https://flic.kr/p/3eMx1h Licensed under Creative Commons.

Zapatistas. Attribution: Nathan Gibbs
flic.kr/p/3eMx1h
Licensed under Creative Commons.

 

In 1996 I worked in Mexico for eight months and during my time there visited the famous village of San Cristobal de las Casas in Chiapas. One of my abiding memories of San Cristobal was of the women from the village who were selling artisanal products to tourists on cloths laid out on the floor in the square in front of the church. Whilst the sale of artisanal objects was commonplace in Mexican villages, in amongst the traditional traditionally dressed dolls I had been surprised to see dolls sporting cloth balaclavas and guns. The dolls were a homage to Subcomandante Marcos and the 1994 uprising of the Zapatista Army of National Liberation (EZLN) against the Mexican government and its signing of the NAFTA free trade agreement with the United States.…

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Changes afoot at Material World Blog

Some of you more regular readers may have noticed that we’ve been posting less at material world blog of late. When Danny Miller and I started the blog in 2006 the blog was a way for me to keep my connection to the vibrant material culture group in the Anthropology Department at UCL where I had been a doctoral student as well as to connect UCL to the broader interest in material culture developing in the US. Since 2006 we have had a series of dedicated editors and editors-at-large, based all over the place, who have regularly provided content ranging from exhibition and book reviews through to notes from the field and good links. One of the things I’ve liked most about the site is that is its commitment to many voices and the space it has given to students and to scholars whose first language is not English to present their ideas.…

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On Scanning Fluff

Haidy Geismar, UCL

kp_ucl_print_NrthLdgeA3

I’ve been working on a paper for a workshop on “Transforming data: drawing otherness into data debates” next week. I will be talking about one of  my current research projects, Te Ara Wairua – Pathways of the Intangible. In collaboration with Kura Puke and Stuart Foster of Massey University and Te Matahiapo Research Organization in Aotearoa New Zealand we have been exploring how digital technologies can connect to a Maori Korowai (cloak) held currently in the UCL Ethnography Collections.

IMG_4489

Tukutuku roimata, I.0013

Together we are developing a critical perspective on the ways in which digital technologies can, or cannot, be used to connect communities to far away collections. We all have different interests and investments in the project, and these have generated different research questions.…

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EASA review

Theodoros Kyriakides (a doctoral candidate in the anthropology of illness at the University of Manchester) provides a blog review for Savage Minds of the recent 13th Biennial EASA conference, held at Tallinn University in Estonia from 31 July to 3 August.

Over at the Allegra site, one can find some recent interviews with EASA President Noel Salazar as well as the co-chairs of the conference’s scientific committee, Carlo Cubero and Patrick Laviolette. A visual archive of the conference has also been collated.…

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Best of Material World: Digital Media

Since the Material World Blog began, the digital media landscape changed dramatically. In social media terms, we have moved from Friendster, MySpace and Orkut to Facebook, Twitter, Instagram and WhatsApp, with a range of other digital, mobile and social media becoming embedded within many people’s everyday lives around the world. These transformations resulted in an increasing number of posts that explored the changing relationships with digital media and made visible the materiality of the digital worlds. In my review of the best of digital media on Material World Blog, five key themes emerged.

(1) The first theme clusters around questions of place and materiality with the growth in digital media. These include Jean-François Blanchette’s wonderful post analysing bits and the software history  as well as Toby Wilkenson’s examination of the consequences of google earth for our relationship to place in a time of google earth. Graham H.…

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Best of Material World Blog: Landscape and Place

Patrick Laviolette (EHI, Tallinn University, hosts of EASA2014)

In terms of providing reflections on the material dimensions of place and landscape, here are some links to what I feel have been amongst the more provocative postings on the blog over the years. Many of the authors to the links below implicitly, or sometimes even explicitly ask: how do we depict our spatial experiences through the digital medium of blogging?

In Feb 2007, Graeme Were put up a piece simply entitled ‘Footpaths‘ by Kate Cameron-Daum. It is an eye-catching post which stirred my own curiosity on methods of walking, particularly in the countryside. Similarly, Peter Oakley’s observations at Tyntesfield house in A Roof with a View, reflects upon the postmodern condition of a heritage site standing below some scaffolding.…

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Made in Palestine

Christopher Pinney, UCL

[Please note: this  post was written before the intensification of the current Israeli offensive on Gaza]

I decided to transgress the BDS (Boycott, Disinvestment and Sanctions) injunction and attend a conference on ‘The Photographic Imagination’ in Tel Aviv in June 2014 for several reasons.  The two central ones concerned, firstly, the Apartheid analogy. Having taught a short course at the University of Cape Town in 2000 it was quite apparent that there were many courageous dissident academic intellectuals that had been a key element of the resistance during the 1980s and earlier. Collaboration with them would have been quite different from buying South African produce. The second reason has an element of illogicality, which is repeatedly pointed out to me: Syria.…

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